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Tuesday, November 26, 2024

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Tagged with: Tech

News + Politics

Declaring the end of progressive San Francisco is a bit premature

Tim Redmond -
Only 20 percent of the votes have been counted. And we have heard this story before.
Campaign Trail

Election results: Right-wing winning DCCC—but affordable housing and judges ahead

Tim Redmond -
It tonight's results show anything, it's that progressive candidates have a harder time winning in San Francisco when there's nothing at the top of...
Opinion

Opinion: San Franciscans know a lot about tech. That’s why they should vote No on E

Jason Kelley and Matthew Guariglia -
Everything new is not good—and we can't trust SFPD with uncontrolled surveillance
Music

Noise Pop report: Tommy Guerrero’s psychedelic vamp at 4-Star Theatre was quintessential SF

John-Paul Shiver -
Noise Pop show put the revival of a beloved neighborhood cinema on display.
Opinion

Opinion: The local Sierra Club is no longer an environmental leader

Barry Hermanson -
A takeover by conservatives has undermined the progressive authority of the group's local endorsements
News + Politics

What the billionaires want

Tim Redmond -
The agenda behind the big money is clear—and for more than 40 years, it's been a massive failure that created most of our social problems.
Stage Review

Guess what, kids! Your family is a ‘Cult of Love’

Charles Lewis III -
Leslye Headland's new play at Berkeley Rep delves into the multifarious dysfunctions of a Jesus freak clan.
Stage Review

At SF Ballet, two very different sides of ‘British Icons’

Charles Lewis III -
Notoriously difficult, dissimilar pieces by Kenneth MacMillan and Frederick Ashton showed the company's versatility
Campaign Trail

Now the Big Tech money is getting ridiculous

Tim Redmond -
Billionaires put up $730,000 for a ballot measure that will have no impact on anyone's life—and not a penny for an affordable housing measure that would benefit everyone.
Stage Review

It’s AI versus a good bowl of pho in ‘My Home on the Moon’

Charles Lewis III -
Minna Lee's Asian-focused queer sci-fi love story at SF Playhouse plumbs all-too-human depths of the uncanny valley.
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