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Sunday, September 25, 2022

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Tagged with: Theatre

Onstage

‘Lear’ comes to the Fillmore: A Bay take on Shakespeare’s great tragedy

Emily Wilson -
Cal Shakes' new production centers Blackness, and features live accompaniment by jazz favorite Marcus Shelby.
Stage Review

Truth, as viewed through a tangle of perceptions, in ‘This Much I Know’

Charles Lewis III -
Two things came to mind as I sat down to write this review. The first was a line from Indiana Jones and the Last...
Arts Forecast

Arts Forecast: SF Fringe, Mill Valley Fall Arts Fest, Dark Side of the Circus…

Marke B. -
Push It Forward, Flamenco Sin Fronteras, Club Pansy, Hobbit Hole, Portion Control, more great events this week
Movies

Screen Grabs: The government is no one’s friend in ‘Costa Brava, Lebanon’

Dennis Harvey -
Plus: Heavyweight revival action this weekend, from Poland's The Three Colors Trilogy to—yes—Flash Gordon.
Arts + Culture

Arts Forecast: EXIT Theatre is closing its doors, but it’s far from defeated

Caitlin Donohue -
Plus: Spend your September outdoors, psychedelic circus—and many more arts and culture events for your week.
Music

Under the Stars: 20th Street Block Party lineup drops, Jazz is Dead funks it up

John-Paul Shiver -
Plus: New Danger Mouse and Black Thought album is the stuff of God, and Tomu DJ's 'Half Moon Bay' brings future-hymns.
Movies

Wow! That’s what I call Vanniall at the SF Porn Film Festival

Caitlin Donohue -
Her 100 self-directed climaxes and reality show send-up will make you swoon.
Music

Kamasi Washington’s iconic line brings the funk and spirit to The Guild Theatre

John-Paul Shiver -
Menlo Park got into the jazz revival, as these legends showed the way.
Stage Review

Going medieval on queer fantasy in ‘Deal with the Dragon’

Charles Lewis III -
Fire-breathing co-dependency and a fetching drag Maleficent in Kevin Rolston's solo show at the Magic
Stage Review

In ‘Sanctuary City,’ the teetering fates of two star-crossed DREAMers

Charles Lewis III -
Martyna Majok’s play at Berkeley Rep offers a damning, impressionistic view of immigration policy post-9/11
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