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Sunday, April 20, 2025

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Tagged with: Theatre

Stage Review

Life ends at 30? It’s complicated (and very Gen X) in ‘tick, tick… BOOM!’

Charles Lewis III -
Jonathan Larson's musical, which itself is turning 30, documents an artist's frustrations at a transitional age.
Music

Live Shots: Idles tore down Fox Theater with colossal post-punk energy

D.A. Mission -
The UK quintet, known for its outspoken politics and cranking metal jams, came to support new album 'TANGK'
Stage Review

‘Galileo’: Strangely familiar music of the spheres

Charles Lewis III -
Script is sharp, cast is good, and music is catchy, yet rock musical at Berkeley Rep just misses cosmic harmony.
Stage Review

‘Hear Our Voices’: How many colors are in that Pride flag?

Charles Lewis III -
Left Coast Theatre Co.’s new show of shorts aims to represent myriad queer identities—and almost gets there
Lit

As ‘Tales of the City’ winds down (maybe), a hymn to the quintessential SF saga

Tamara Palmer -
The author and his heroine have alighted in England, but the heart of the series remains in Baghdad by the Bay.
Stage Review

‘Blue Door’ brilliantly worms out the mundane intricacies of Black self-hatred

Charles Lewis III -
At Aurora, Michael J. Asberry gives one of his best performances as an Ivy League prof haunted by valiant ancestors.
Arts + Culture

‘The Tutor’ offers a radical take on love triangles, queer Iranian expat-style

Charles Lewis III -
Torange Yeghiazarian's NCTC play refreshingly lets a young lesbian from a repressive county just be horny.
Dance

‘The People’s Palace’ injects missing diversity into City Hall’s storied architecture

Mary Carbonara -
Choreographer Joanna Haigood of Zaccho Dance aims 'to provide a more accurate picture of vibrant San Francisco.'
Stage Review

Shaking off the ghost of Babs in ‘Funny Girl’

Dennis Harvey -
Katerina McCrimmon makes the songs her own, justifying this revival of a musical that was creaky from the start.
Stage Review

‘A Strange Loop’ takes too much glee in the trauma of its Black queer lead

Charles Lewis III -
Despite talented cast, catchy tunes, and a show-stopping number, Broadway sensation comes off as torture porn.
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