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Wednesday, January 15, 2025

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Marke B.

Marke B.
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Marke Bieschke is the publisher and arts and culture editor of 48 Hills. He co-owns the Stud bar in SoMa. Reach him at marke (at) 48hills.org, follow @supermarke on Twitter.

On Polk Street and in the Tenderloin, a family of hustlers and priests

Joseph Plaster's new book 'Kids on the Street' looks at the history of queer sex work and kinship in San Francisco

Out of ‘Eclipse’: Amadou & Mariam bring songs from their sensory world to SFJAZZ

The beloved Malian duo have been up to a lot—including a tour featuring selections from their immersive 2012 show.

Radio play ‘The Forever Wave’ imagines a climate-drowned SF of 2070

Writer Nicole Gluckstern and a diverse cast take to the airwaves to ask, What will emerge when our systems collapse?

Arts Forecast: ‘Headlands’ is a whodunnit steeped in SF nostalgia

Many authors have used tales of mystery to dissect society and the self. Agatha Christie took a scalpel to the British upper crust's hypocritical...

With ‘No Such Spring,’ composer Samuel Adams speaks from the pandemic

New work at San Francisco Symphony 'is a piece about my feelings about my country right now.'

Arts Forecast: Can ‘Mean Girls’ sit with us?

Plus: DJ Holographic, North Beach Mardi Gras Parade, Nordic Psychedelic Soul Invasion, more to do this week.

Harmonic convergence: How a stellar record fair led to a brand new record store

Globe Spinners and Offshore Sounds were sparked by two vinyl fiends who shared a love of worldly rarities and dealing discs

Hie thee to the woods for The Ever Afters, a brilliant new queer techno campout

A 'constellation of dreams' kicks off festival season, with tons of local talent, a trippy yurt, and a 6am talent show.

Arts Forecast: OK, how about a Valentine’s dance and roller-disco block party?

Plus: SF Beer Week, Ritual of Myth Making, Black Choreographers Festival, Valentechno, Blackwater Holylight, more

‘This Is National Wake’ spotlights the punk band that challenged Apartheid

Mirissa Neff's documentary illuminates a little-known chapter of music history that embodies political resistance