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Sunday, November 24, 2024

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Joshua Rotter

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Joshua Rotter is a contributing writer for 48 Hills. He’s also written for the San Francisco Bay Guardian, SF Weekly, SF Examiner, SF Chronicle, and CNET.

Michael Apted’s monumental, 55-year chronicle of class inequality

The central question in 63 UP— award-winning auteur Michael Apted’s ongoing documentary anthology, following the changing lives of 14 British subjects over the course...

Drag star Miz Cracker on ‘Femlins,’ feminism, and overall fabulousness

An idyllic Christmastime setting, a loving family, and the gift that keeps on giving grief. Gremlins, which celebrates its 35th anniversary this year, has...

Ana Gasteyer adds ‘Sugar & Booze’ to Symphony’s ‘Holiday Gaiety’

Sugar, booze, and music — these are the things that Ana Gasteyer’s holidays are made of. Top on the comedian, actress, and singer’s list of...

Theatre of Yugen stages ‘A Christmas Carol’ with an ancient Japanese spin

There are plenty of ways to experience yūgen or “beauty, with a tinge of sadness,” according to the great 14th- and 15th- century Japanese...

From Lagos with love—and the god of fire

Bisi is more than a stage name for the 29-year-old Nigerian singer-songwriter who’s called San Francisco home for the last decade. It’s also a...

Martin Scorsese on ‘The Irishman,’ old friends, and loving Castro Theatre

Martin Scorsese loves San Francisco’s Castro Theatre. So much so that the legendary Mean Streets, Goodfellas, and Casino director opened his latest gangster epic,...

The lo-fi psych-pop joys of Still Woozy

Still Woozy (playing Wed/13 through Friday/15 at The New Parish) was hanging out backstage at Lollapalooza at Chicago’s Grant Park, last summer. He had...

Red-hot but clear-eyed, Flea recounts his youth in ‘Acid for the Children’

Michael “Flea” Balzary told 48 Hills that he credits three things with keeping the fiery Red Hot Chili Peppers together for almost four decades. First,...

Natasha Bedingfield takes some poignant new curves

Natasha Bedingfield (playing Sun/3 at The Fillmore) has never been overtly political in her music. That is, until the Grammy-nominated singer/songwriter — best known for...

‘Women aren’t funny’? Tell that to Cirque clown Kelsey Custard

When Kelsey Custard was studying at San Francisco’s Clown Conservatory school a decade ago, she and some of her female colleagues were advised by...