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Thursday, May 9, 2024

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ArtArt Review

Art Review

24-karat gowns, ghost handprints, powerful hair, more in MoAD’s fall exhibitions

New exhibits uplift and memorialize through ravishing color, while provoking thoughts about the SF just beyond the walls

Googly-eyed creatures and underground spirits in Anne McGuire’s ‘Symbolically Depicted’

At Pastine Projects, obsessively detailed psychedelic drawings depicting surreal creatures and local artist friends

Ana Jotta’s ‘Never the Less’: Drawing in many senses of the word

At Wattis, the longtime Portuguese artist's first US show is an exhilarating peek into her work, rife with references and wordplay

‘Difference Machines’ interrogates the bias in the Algorithm

The intersection of technology and identity comes under scrutiny at Gray Area

‘The Petal’ explores slippery imagery, through cyanotype and hydrograph

At Et al. etc, Misa Chhan and Lyric Shen' stitched fabric, image transfers, BDSM practices, and dye resists

Mouthpieces, mistletoe, cuttlefish bones summon sonic interplay in ‘auxil’

K.R.M. Mooney's potent forms at Altman Siegel connect sculpture-making to music-making

Home is? Women of color tangle with question in pair of memorable museum shows

Nimah Gobir and Taravat Talepasand weave diasporic identity and family history via vivid display

Black queer African artists strike visceral poses in stunning ‘Sanibonani’

Zanele Muholi curates a power-packed display of rites, rituals, joy, pain, and comfort at Jonathan Carver Moore

Diurnal rhythms captured on fabric in Christopher Robin Duncan’s ‘SEASONS’

Months-long exposures tie viewers to the cosmos at Rebecca Camacho Presents

SF’s radical Asian American legacy shines in ‘Dreaming People’s History’

Images from the International Hotel struggle to the post-George Floyd resistance educate while they inspire.

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