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Monday, May 20, 2024
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48 hills
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Top reads
Poetic efficiencies, subtle subversions streak through ‘vÄ«tatio’
How Irving Penn brought the world to his studio—and vice versa
A profound web of hybrid histories in MoAD’s ‘Unruly Navigations’
The eerie detritus, AI omens of ‘Daemonomania’
Ryan Whelan plays beat the clock in ‘The River Can Run’
‘Look Me in the Eyes’ confronts the phantasmagoria of Kurdish history
Andrew Wilson’s ‘Torn Asunder’ sees Black men in new light, two ways at once
In tamara suarez porras’ ‘parallax errors,’ fractured apparitions of changing perception
‘Ambient Jukebox’ transforms vintage finds into poetic worlds
Do Yayoi Kusama’s candy-colored creations transcend a problematic past?
Art Review
SF’s radical Asian American legacy shines in ‘Dreaming People’s History’
Natalia Robyns-Kresich
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July 14, 2023
Images from the International Hotel struggle to the post-George Floyd resistance educate while they inspire.
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‘The Tudors’ offers an irresistible lesson in state propaganda
DeWitt Chen
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July 12, 2023
With royals very much in the news lately, Legion of Honor show underlines how power shapes culture
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‘Spaghetti Blockchain’ pushes globalized culture into the fantastical
Genevieve Quick
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July 11, 2023
Mika Rottenberg's CJM show is like a 'Choose Your Own Adventure' through the mind-spinning abstraction of labor and capital
Art Review
Cast iron dumpling sutures and winding graphite snakes in resonant ‘Malar’
Bec Imrich
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June 20, 2023
"Malar"—a two person show with Alice Gong Xiaowen and Kennedy Morgan up at House of Seiko through June 25—embraces opacity from afar and rewards...
Art Review
Madonna bong, individualist protest signs offer sly balance at pt. 2 Gallery
Genevieve Quick
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May 29, 2023
John De Fazio and Cliff Hengst create glimmering look at queer histories and identities.
Art Review
Chaldean mysticism of shadow and fire in Bessma Khalaf’s ‘ritual’
Genevieve Quick
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May 8, 2023
Luscious images coated in wax and dripping 'Tree Altars' conjure ancestral understanding at Romer Young
Art Review
An intriguing, imperfect look at Black womanhood comes to MoAD
Charles Lewis III
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April 26, 2023
From Sarah Baartman to 2 Live Crew's video girls, 'Black Venus' examines labels both forced and embraced.
Art Review
Nan Goldin continues her nuanced dive into dependency and addiction
Bec Imrich
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April 17, 2023
At Fraenkel Gallery, a powerful slideshow and abstract photos open empathetic pathways through the abyss.
Art Review
Don’t fear the blackout? ‘through the electric grid promised land’ binds in darkness
Ava Morton
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April 11, 2023
A fantastical and nightmarish installation at / slash art exposes modern-day terrors.
Art Review
Ode to Chicana rasquachismo: a half century of Amalia Mesa-Baines
Natalia Robyns-Kresich
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April 4, 2023
Her work bustling with everyday objects and memories, the artist's BAMPFA retrospective offers welcome, folkloric departure.
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