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Tuesday, November 26, 2024
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Top reads
In spare strokes, Sandra Wong Orloff takes on big subjects like climate change, gun violence
Asian Art Museum summons K-pop nation with fangirl curator and BLACKPINK looks
John Waters’ art show? ‘A hit parade of hell’
The ‘Queen of Art Deco’ finally gets her due
US history of white supremacy peers through the present in Stephen Mangum’s latest work
In ‘Fictions of Presence,’ a View-Master and declassified 9/11 interrogation docs
Turbulence of recent past thrums though ‘Makeshift Memorials, Small Revolutions’
A flowering of Filipino art reclaims the SoMa landscape
SF’s Goethe-Institut makes a big move—and asks even bigger questions
Luke Kraman’s soft missives from the queer demimonde
Art Review
Self-healing and magic crystallize in ‘SALT to CATCH GHOSTS’
Genevieve Quick
-
September 30, 2022
At /(slash), Black women control and direct energy in a gathering of striking works curated by Ashara Ekundayo
Art
Scream something: BAMPFA projects women’s rage in ‘Outcry’
Emily Wilson
-
September 29, 2022
Photographer Whitney Bradshaw's series captures a range of bellows against the patriarchy.
Art
A weaving of worlds: Miguel Arzabe explores ch’ixi
Mary Corbin
-
September 22, 2022
Everyday Bolivian textiles and harvest moon ritual inspire the Oakland artist.
Art
What lies beneath? Santa Cruz-based artist looks for truth in our faces
Mary Corbin
-
September 1, 2022
Sara Birns' weird, warped, wonderful visages are her way of showing bliss.
Art
SF’s Carlos Villa becomes first Filipino American honored by a major museum retrospective
Natalia Robyns-Kresich
-
August 31, 2022
But sadly—for San Francisco—his multi-site show is missing an important component.
Art
A suspended state of grace: Raymond Holbert and his underwater arias
Mary Corbin
-
August 28, 2022
Former CCSF art instructor breaks new ground via digitally-remixed photography.
Art
Mystic Moon Mamas and Matisse: What inspires artist Serena Viola Corson
Mary Corbin
-
August 21, 2022
The painter's scenes of platonic joy and curious street scores celebrate being human.
Art Review
SFAI faculty member Carlos Villa’s hybrid legacy honored in two shows
Genevieve Quick
-
August 18, 2022
Luscious cloaks and tributes to SoMa's I-Hotel assert mystical pageantry of unsung histories.
Arts + Culture
Artist Emmy Lou Packard shines in overdue expo—but she never left SF walls
Natalia Robyns-Kresich
-
August 17, 2022
She apprenticed with Diego Rivera, and mentored the Mission's mural movement.
Movies
Screen Grabs: European relations hit the skids in ‘Spin Me Round’ and ‘Orphan: First Kill’
Dennis Harvey
-
August 17, 2022
The former takes 'Eat, Pray' into comic territory, while 'Orphan' presents a psycho Estonian waif.
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