Art Archives - Page 28 of 45

Art

Photo show provides a flaneur’s eye view of 1940s San Francisco

Emily Wilson - November 30, 2021

Minor White captured changing demographics, architecture—and the side street shoeshines that gave the city life.

Art

In ‘Long Kwento,’ telling Filipino family stories on a vast yet human scale

Emily Wilson - November 23, 2021

Maia Cruz Palileo's lush paintings at Wattis combat colonialist narratives by giving subjects tales of their own.

Art

Review: Merging codex and comics, Enrique Chagoya’s artist’s books enfold timelines

Genevieve Quick - November 17, 2021

At Legion of Honor, accordions of 'reverse anthropology,' Pre-Colombian superheroes, and zigzagging planes of culture and history

Art

Review: For two days in her home, Susan Nakata’s delicate work shone bright

tamara suarez porras - November 13, 2021

The Kensington artist hosted 'Notions,' which emphasized the resiliency of artists who maintain a lifelong practice.

Art

A ‘cinematographer with paint,’ Jhina Alvarado animates nostalgia, identity

Mary Corbin - November 7, 2021

With inspiration swinging from classic photos to contemporary social activism, the SF artist and teacher applies her refined style

Art

Review: ‘The Missing Circle’ delves into Latin America’s complex past

Genevieve Quick - November 3, 2021

But who has the right to tell this story? New show at KADIST showcases vital work and raises questions

Art

A tricky proposition: 20 years of feminist art on display in ‘New Time’

Natalia Robyns-Kresich - October 31, 2021

Expansive show at BAMPFA holds real brilliance, though falters in its politically pluralistic approach

Art

Review: Dynamic humor and unsettling magic in Lindsey White’s ‘How to Get on Cable Television’

tamara suarez porras - October 28, 2021

The artist's latest at Casemore Kirkeby continues her quest to set whimsy alongside criticality.

Art

Printmaker David Tim layers time and materials to capture individual stories

Mary Corbin - October 25, 2021

"Accessing multiple media allows me to challenge myself, to explore and struggle,” says the Oakland artist

Art

With ‘Ticket to Ride,’ Optimist Williams channeled MUNI memories and Frisco legends

Alan Chazaro - October 22, 2021

The graffiti artist used transfers as a metaphor for a city gone sideways: "Ed Lee was like the pinnacle of destruction here."

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Art

Photo show provides a flaneur’s eye view of 1940s San Francisco

In ‘Long Kwento,’ telling Filipino family stories on a vast yet human scale

Review: Merging codex and comics, Enrique Chagoya’s artist’s books enfold timelines

Review: For two days in her home, Susan Nakata’s delicate work shone bright

A ‘cinematographer with paint,’ Jhina Alvarado animates nostalgia, identity

Review: ‘The Missing Circle’ delves into Latin America’s complex past

A tricky proposition: 20 years of feminist art on display in ‘New Time’

Review: Dynamic humor and unsettling magic in Lindsey White’s ‘How to Get on Cable Television’

Printmaker David Tim layers time and materials to capture individual stories

With ‘Ticket to Ride,’ Optimist Williams channeled MUNI memories and Frisco legends

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