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Wednesday, November 27, 2024

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Art

Review: ‘Native Resolution’ renders the anthropological archive bare

Stephanie Syjuco's new show at Catharine Clark reclaims Filipino lives from omissions of colonial history

Screen Grabs: This devastating war film should win the Oscar

Bosnia and Herzegovina's 'Quo Vadis, Aida?' deserves Best International Feature. Serbia's entry, however, is too much.

Review: With collaged screams and comic silences, Christian Marclay channels the inexpressible now

The artist, known for his montages and experimental scores, unsettles with timely new work at Fraenkel Gallery.

In Pouké Halpern’s work, domestic vessels resonate with subtle poetry

Muted lines and an ambient optimism about the glass-half-full infuse the artist's delicate paintings

The curious case of the Gray Lady and the Museum of Sentimental Taxonomy

The New York Times denies awareness of Kija Lucas's ongoing project as it launches a very similar feature. The artist calls BS.

Review: ‘New Labor Movements III’ continues stunning probe of Black identities

At McEvoy Foundation, curator Leila Weefur's latest installment of short films offers glimpses of multiple histories.

For Women’s History Month, highlighting Ana María Vidalon’s peopled, luminous colorscapes

Creativity Explored pairs the disabled creator's first solo show "Hidden Figures" with a panel on BIPOC women artists.

In a year of protest and change, YBCA 100 highlights vital activist-artists

The annual list of honorees focuses on organizers, educators, and creators whose work reaches deep into community.

Quilting genius Rosie Lee Tompkins stitched abstraction to history

Through Berkeley Art Museum, the Richmond artist's "crazy quilts" dazzle with wild colors and spiritual messages

WPA, but make it COVID: Artists document pandemic for city time capsule

At COVID-19 Command Center, four artists-in-residence record SF's response for future generations.

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