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Sunday, January 12, 2025

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Art

In SFMOMA mural, Liz Hernández conjures a spell for future healing

Milagros, garlic, and losing an uncle early on to COVID inspired Mexican artist to fill a wall with hope.

Review: Zulfikar Ali Bhutto’s sequined gas masks and intergalactic minarets

Speculative meets divine in 'Future Faithful: Islamic Experiments in Space Exploration and Posthumanism'

In Carol Aust’s paintings, colorful characters on the brink of new paths

Necessity of human connection is palpable in the Oakland artist's simple gestures and narrative composition

The strange and wondrous story of the Sick & Twisted Players

Thirty years ago, the troupe brought camp movie mashups, blazingly real talent, and guaranteed Splatterama to nightlife stages.

Review: Zarouhie Abdalian holds back too much in ‘We can decide’

At Altman Siegel, the artist's minimal interventions gesture admirably but too delicately at weighty ideals.

Review: ‘God of Vengeance’ still powerful 115 years later

Taboo-busting play about Jewish tradition and lesbian love shone online in Yiddish Theatre Ensemble production.

In ‘Caravana,’ a flourishing of Central American art both political and inventive

SOMArts group show stretches from creation of Balmy Alley to rising artists inspired by regional heritage.

Review: ‘Native Resolution’ renders the anthropological archive bare

Stephanie Syjuco's new show at Catharine Clark reclaims Filipino lives from omissions of colonial history

Screen Grabs: This devastating war film should win the Oscar

Bosnia and Herzegovina's 'Quo Vadis, Aida?' deserves Best International Feature. Serbia's entry, however, is too much.

Review: With collaged screams and comic silences, Christian Marclay channels the inexpressible now

The artist, known for his montages and experimental scores, unsettles with timely new work at Fraenkel Gallery.

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