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Sunday, April 20, 2025

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Art

Review: In ‘Uncanny Valley,’ disturbing ripples from artificial intelligence

Excellent De Young show reveals technology's ties to oppressive tactics—and art's to the arms trade

Review: CULT’s anniversary show finds courage to examine past and present

James Perkins' Black minimalism and Chris Fallon's time-skipping depictions of women's forms stand out at "Janus II."

X-Men to X-acto: The otherworldly analog collages of Michael Tunk

Wild West meets interplanetary apocalypse (and plenty more) in the Alameda artist's visions.

Review: Daily scenes reveal complex family identities in Gloria Wong’s ‘Three Tongues’

At Friends Indeed, the Chinese Canadian photographer portrays a tidy home full of subtle information.

Sean Dorsey Dance premieres nine ‘gorgeous’ new films in AT-HOME season

"We can't wait to connect with our audience again," says transgender dance trailblazer—now a director, too.

Review: Black Madonnas, fashion photos, semaphore, and song in ‘Future Histories’

At SFMOMA, Theaster Gates and Cauleen Smith draw on the African American archive to point a way forward.

Is art free speech under COVID? A local court case steams on

Ongoing San Francisco International Arts Festival lawsuit demands that arts reopen in parity with worship and dining.

Ideas can manifest as presences in Susan Adamé’s light-filled paintings

The artists beckons visions from the ethereal plane, drawing special cards and summoning intuitive inspiration.

In SFMOMA mural, Liz Hernández conjures a spell for future healing

Milagros, garlic, and losing an uncle early on to COVID inspired Mexican artist to fill a wall with hope.

Review: Zulfikar Ali Bhutto’s sequined gas masks and intergalactic minarets

Speculative meets divine in 'Future Faithful: Islamic Experiments in Space Exploration and Posthumanism'

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