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Tuesday, January 7, 2025

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Movies

Screen Grabs: ‘Dog Day Afternoon’ and the evolution of trans cinema

1975 classic was rare sympathetic portrayal—now continued in new films 'Orlando, My Political Biography' and 'Biodome'

Screen Grabs: Men on misguided paths in ‘Manodrome’ and ‘The Mission’

John Chau brings Jesus where no one wants him and Jesse Eisenberg bends to misogynistic fervor in two new movies

At Trans Film Fest, echoes of nightlife we almost lost to COVID

'Last Call' documents the magic of three beloved queer bars—El Rio, Aunt Charlie's, and the Stud—that might have disappeared

Screen Grabs: Buckle up for Werner Herzog, baby

A tribute to the master of extremes. Plus: Trans Film Fest enlightens on a global scale, Berlin & Beyond goes beyond

Big suit antics aside, it’s Talking Heads that shine in ‘Stop Making Sense’

40th anniversary re-release of Jonathan Demme's concert film reminds that the band never got a proper farewell.

Screen Grabs: ‘Priscilla,’ locked in a golden Graceland cage

Sofia Coppola's opaque tribute. Plus: Colman Domingo plays Civil Rights giant 'Rustin,' border-town education gets 'Radical'

The case for ‘So I Married an Axe Murderer’ as the best SF film of all time

North Beach cappuccinos, Alamo Square breakups, Fog City Diner, pre-tech rents—the 1993 Mike Myers film deserves the crown.

Screen Grabs: Doc Stories fest sheds light in these fact-challenged times

Plus: King Crimson at 50, escaping North Korea in 'Beyond Utopia,' Robert Irwin's diaphanous art, more new movies

Screen Grabs: American Indian Film Fest 48 brings superheroes and reckonings

The longest-running showcase of its kind kicks off with 'Bones of Crows,' about the devastation wrought by state residential schools

Screen Grabs: Are increasingly longer run-times justified? For ‘The Delinquents,’ yes

Argentine export is more than a heist flick. Plus: Hyperactive but promising 'Persian Version' and harrowing but beautiful 'Natural Light'

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