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Sunday, January 12, 2025

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Movies

Screen Grabs: Freedom, and other compromised concepts

Liberation and constraint, from Belgian playgrounds and the back alleys of Chad to Ted Kaczynski's paranoid manifesto.

Screen Grabs: From silents to Noise Pop, setting old scores and new

Hendrix in Maui, Chaplin at the Paramount, Aelita the Queen of Mars, Gwar, and more movies mix with music.

What we saw at Sundance: Documentary dives into Myanmar midwives, volcano lovers, more

A Syrian migrant crane operator in Beirut, Kanye's rap rise, Watergate whistleblower Martha Mitchell among big fest subjects

Screen Grabs: Women at the center—coming of age, taking revenge

'The Sky is Everywhere,' 'The Worst Person in the World,' and 'Catch the Fair One' unfold in very different ways.

LGBTQ orgs ‘disappointed’ but ‘hopeful’ about Castro Theatre takeover

After its botched announcement, Another Planet Entertainment receives 'cautious optimism' from community institutions.

Win tickets to a screening of Channing Tatum’s ‘Dog’!

Catch a preview of the new canine buddy movie on February 15

What we saw at Sundance: ‘Speak No Evil,’ ‘The Nanny,’ ‘Fresh,’ more fest sensations

Plus: Aubrey Plaza as a criminal mastermind, overwhelming 'Palm Trees and Power Lines,' more features and shorts reviewed

Screen Grabs: Embarcadero Center Cinema is gone, but there are revivals aplenty

Mourning another rep house gone, and looking forward to old school movies—brilliant, romantic, cheesy, and beastly.

What we saw at Sundance ’22, part 1: demented animation, Filipina country stars, more

Perfect pairings of our favorite features and shorts from this year's dazzling film fest (keep them in mind for later viewing)

Screen Grabs: ‘Who We Are’ lays out just how much racial justice has stalled

Plus: Poetic 'Why is We Americans,' listless 'Sundown,' rousing 'The Conductor'—and 'Guess Who's Coming to Dinner,' too.

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