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Thursday, November 21, 2024

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Tagged with: Berkeley Rep

Stage Review

Rapping out historical trauma across the Rio Grande in ‘Mexodus’

Charles Lewis III -
Little-known history of enslaved people escaping to Mexico is brought to exhilarating musical life at Berkeley Rep.
Stage Review

Latine update of Coward’s ‘Private Lives’ added layers to 100-year-old toxic tale

Charles Lewis III -
At ACT, director K.J. Sanchez's race-bent casting discovered new depths in the marriage-is-hell comedy.
Stage Review

Second City takes Berkeley Rep

Charles Lewis III -
Legendary Chicago improv company doesn't hesitate to remind you of its bona fides—but it's all well-deserved.
Onstage

A Route 66 trip to Steinbeck country spurred Octavio Solis’ ‘Mother Road’

Emily Wilson -
'Things still felt like, yeah, this is America during the Depression,' says playwright, whose latest is at Berkeley Rep.
Stage Review

Load up the truck with family drama, it’s time to hit ‘Mother Road’

Charles Lewis III -
Octavio Solis’ latest at Berkeley Rep puts a racial spin on father-son dynamics and the burden of inheritance.
Stage Review

‘Galileo’: Strangely familiar music of the spheres

Charles Lewis III -
Script is sharp, cast is good, and music is catchy, yet rock musical at Berkeley Rep just misses cosmic harmony.
Onstage

Ambitious ‘Galileo’ discovers a musical universe all its own

Lou Fancher -
Composers Michael Weiner and Zoe Sarnak take off from rock and pop to explore more celestial sounds.
Movies

Screen Grabs: Chasing one of the Swinging Sixties’ most infamous ‘It Girls’

Dennis Harvey -
Plus: Doclands 2024, Johnny Depp's French, Japanese reality, worthwhile 'Nowhere Special,' Free Palestine, more movies
Stage Review

In poignant ‘The Far Country,’ immigrants caught in an endless cycle of abuse

Charles Lewis III -
Lloyd Suh's Berkeley Rep premiere shows the racist US system's damaging affects on Chinese workers.
Stage Review

Killing My Lobster sketches a decade of laughs, coked-up Spiderman and all

Charles Lewis III -
In 'Best of KML,' the venerable comedy troupe revisits some greatest hits—just don't toss that baby out the window.
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