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Sunday, November 24, 2024

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Tagged with: Culture

Under the Stars: Vinyl Williams brought some trippy San Francisco love

Plus: Cor. Ece's worthy UK house, Sun Ra meets the Outer Space Visual Communicator, Combo Tezeta takes Eli's, more music

Why immigrants are worried about SF’s Proposition E

The measure would undermine the Sanctuary City policies.

André 3000, Suzanne Ciani, and the evolving creative mind

What happens when an artist swerves? How does a trailblazer stay relevant after 40 years? Two shows raised satisfying answers.

Necromancy at SoEx: ‘Moving Clouds’ summons the once-thought-dead

Curator Cathy Lu on show's "ancestor callers," whose works range from crematorium to live events in Gaza.

Playwright Ashley Smiley takes on neighborhood diplacement and Tesla-stamped MDMA

Her 'Dirty White Teslas Make Me Sad' at Magic Theatre is a personal take on gentrification and the city's loss.

Tabitha Soren, beloved former MTV News reporter, on life as a Bay Area photographer

Motherhood has changed things for the award-winning journalist, who is now taking things a frame at a time.

Arts Forecast: The cool, clear eye of Wolfgang Tillmans

Plus: Flatstock, Afrolicious, Conrad Tao, Luis Miguel Garcia-Mispireta, Branford Marsalis, Chiquimamani-Condori, more

Noise Pop report: Tommy Guerrero’s psychedelic vamp at 4-Star Theatre was quintessential SF

Noise Pop show put the revival of a beloved neighborhood cinema on display.

Screen Grabs: High-tail it to ‘Hundreds of Beavers’

Hilarious and chewy. Plus: Jewish Film Institute Winterfest animates Ann Frank, James Baldwin scathes US

Theatrical spectacularist Taylor Mac: ‘The solution to straight pain is queer joy’

The gonzo performance artist's 'Bark of Millions' is an ecstatic four-hour, 55-song reverse-conversion therapy session.