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Tuesday, April 16, 2024

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Tagged with: Hip-hop

Divine intervention: Reconfiguring monumental art project ‘The Black Woman is God’

My experience as part of the ongoing SOMArts exhibit, now entering a new phase, pushed me to return to what matters.

New Music: Nappy Nina, Lunchbox, Balkan Bump, more great artists to support

Bandcamp Day picks: Peppy indie, scrappy rap, Turkish trumpet, experimental oboe... oh, and a side of Hi-NRG techno.

New Music: Cracking women-led compilations from Moxie and SOS keep it fresh

Tracks from Club Chai's Lara Sarkissian, rRoxymore, Pursuit Grooves, other forward-thinking producers expand fall 2020's range.

Dougie Stu’s ‘Familiar Future’ shows how California is updating astral jazz alchemy

The Oakland artist's album brings visions of Alice Coltrane's peace and tranquility, while performing its own type of spiritual utility

Arts Forecast: Museums reopen, Litquake rolls out… and music in parklets?

Plus: SOMArts Día de los Muertos show, DJ Mark Farina, California Symphony, 'Heads of Hip Hop, more.

Why the super deluxe re-release of Prince’s ‘Sign o’ the Times’ matters

The genius of The Revolution, the perfect career alchemy of a prolific legend rising from the ashes—a comprehensive look at why we hail 'SOTT.'

Naima Shalhoub wields strength of community on debut studio album ‘SIPHR’

The multi-faceted Oakland musician summons Lebanese heritage on follow-up to 'Live in San Francisco County Jail.'

Now Watch This: Ride away the summer on these 5 new music videos

It's all in the visuals for this second installation of our music video column—with new work from Fontaines D.C., Frank Ivy, Sylvan Esso, and more.

Remembering Kool & The Gang’s perpetual reincarnation, in the wake of Ronald Bell’s passing

The legendary group maintained a five-decade career through reinvention—and its cofounder's expansive songwriting.

All Ears: 25 new albums for fall survival

From Sade and Róisín Murphy to Hot Chip and the Flaming Lips, here are the sounds you'll need to keep your own world spinning.