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Tuesday, October 22, 2024

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Tagged with: Onstage

Stage Review

AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’

Charles Lewis III -
In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.
Stage Review

Killing My Lobster’s Agatha Christie send-up slays racist whodunnit tropes

Charles Lewis III -
The comedy troupe's 'J'Accuse!' gets its kicks spoofing melodramatic murderers and foul epithets.
Best of the Bay

Best of the Bay 2024 Editors’ Pick: Blandina Farley

Dorothy Odonnell -
A most colorful tour guide acquaints all comers with the neighborhood she's made home since the '70s.
Onstage

When it comes to telling Black womens’ stories, Lisa B. Thompson goes big

Lou Fancher -
Latest play 'The Black Feminist Guide to the Human Body' at Lorraine Hansberry Theatre embraces the universal.
Dance

20 years in, Sean Dorsey Dance Company embodies ‘joyous, righteous resistance’

Mary Carbonara -
'Our existence is under attack,' says trailblazing trans choreographer, whose troupe celebrates two decades of essential art.
Stage Review

SF-born ‘Wicked’ celebrates its 20th anniversary

Charles Lewis III -
Why fix that witch ain't broken?
Stage Review

Promising ‘Richard II’ doesn’t quite take the crown

Charles Lewis III -
... and with this cast and stage design, that's a true historical tragedy.
Music

Sylvester peaks again at SFMOMA

Tamara Palmer -
SF disco legend's 'Live at the Opera House' concert album world-premiered in 'Art of Noise' exhibit.
Music

‘Do you pinky promise not to sock me in my sh*t?’

Leah Isobel -
At 924 Gilman, Militarie Gun set off an all-ages mosh frenzy to thrashy punk glazed with pop hooks.
Stage Review

Second City takes Berkeley Rep

Charles Lewis III -
Legendary Chicago improv company doesn't hesitate to remind you of its bona fides—but it's all well-deserved.
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