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Friday, July 26, 2024

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Tagged with: Opera

Arts + Culture

Screen Grabs: Forget those soggy superheroes — ride with some real renegades

Dennis Harvey -
Chytilova, Shimizu, Mailer, Eno, and a Mountain Queen get rebellious. Plus: Two meh new horror flicks, two great old ones.
Food & Drink

Good Taste: At Kamala Harris’ downtown Indian hangout, spicy dishes and full support

Tamara Palmer -
The venerable New Delhi Restaurant has been a hotspot for big-name Dems and community action for decades.
Movies

Screen Grabs: Magical realism rains down from Argentina, Senegal, North Carolina

Dennis Harvey -
Three new films transcend storytelling's usual limits. Plus: Macabre 'Oddity' impresses, 'July Rhapsody' delights.
Movies

Screen Grabs: Jewish Film Fest–from rare 1920s silent to feisty sock puppet

Dennis Harvey -
44th installment moves from Castro Theater, but still presents astonishingly varied tales. Here's our guide.
Music

Under the Stars: Sylvester shall sing again

John-Paul Shiver -
Plus: Carlos Niño's collab album with Andre3000 and friends, Arooj Aftab returns, Sis channels Sri Aurobindo. New music!
LGBTQ

Our Ultimate Pride Guide 2024 is bustin’ out all over

Marke B. -
30+ parties, arts events, and activities to boot up your sassy queer season—even if you're boycotting!
Stage Review

SF Opera’s ‘Partenope’ offers Old Hollywood glamour, little subtext

Charles Lewis III -
With a full century behind them to choose from, SF Opera’s 2023-24 season has had a feeling of “throw things at the wall and...
Onstage

Juneteenth reading of ‘3rd & Palou’ humanized 1966 Hunters Point Uprising

Tom Molanphy -
Biko Eisen-Martin's thrilling work-in-progress play is 'based on the world immediately outside the exit doors.'
Stage Review

SF Opera tackles mass shootings and class privilege in ‘Innocence’

Charles Lewis III -
>>We need you! Become a 48hills member today so we can continue our incredible local news + culture coverage. Just $20 a month helps sustain...
Stage Review

When is a flute not a flute? SF Opera’s ‘Magic Flute’ pipes a wild tune

Charles Lewis III -
A blizzard of visual distractions—welcome, overwhelming—marks Suzanne Andrade's cinematic production.
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