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Thursday, November 21, 2024

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Tagged with: Opera

Onstage

Juneteenth reading of ‘3rd & Palou’ humanized 1966 Hunters Point Uprising

Tom Molanphy -
Biko Eisen-Martin's thrilling work-in-progress play is 'based on the world immediately outside the exit doors.'
Stage Review

SF Opera tackles mass shootings and class privilege in ‘Innocence’

Charles Lewis III -
>>We need you! Become a 48hills member today so we can continue our incredible local news + culture coverage. Just $20 a month helps sustain...
Stage Review

When is a flute not a flute? SF Opera’s ‘Magic Flute’ pipes a wild tune

Charles Lewis III -
A blizzard of visual distractions—welcome, overwhelming—marks Suzanne Andrade's cinematic production.
Movies

Screen Grabs: Past pieties, present violence, future songs

Dennis Harvey -
Intricate 'Kidnapped,' gory 'In a Violent Nature,' and gorgeous 'Songs of Earth' span the chronological spectrum.
Onstage

Ambitious ‘Galileo’ discovers a musical universe all its own

Lou Fancher -
Composers Michael Weiner and Zoe Sarnak take off from rock and pop to explore more celestial sounds.
Movies

Screen Grabs: 90 years ago, a ‘Black Cat’ slunk in from the future

Dennis Harvey -
Plus Ralph Fiennes' Macbeth, 'Evil Does Not Exist,' 'H2: The Occupation Lab,' 'Terrestrial Verses,' more movies
Stage Review

Uproarious camp-fest ‘Bitch Slap!’ is a surprisingly touching ode to SF

Charles Lewis III -
D'Arcy Drollingers tribute to over-the-top '80s soaps features the talents of folks who could only be found here.
Movies

Screen Grabs: Chasing one of the Swinging Sixties’ most infamous ‘It Girls’

Dennis Harvey -
Plus: Doclands 2024, Johnny Depp's French, Japanese reality, worthwhile 'Nowhere Special,' Free Palestine, more movies
Stage Review

Hilarious performances whisk you up a shaky ’39 Steps’

Charles Lewis III -
San Francisco Playhouse lampoons a ripe Hitchcock—but you may want to binge your noir beforehand.
Stage Review

Outsize passions of Carmen and Frida take centerstage in ‘Dos Mujeres’

Charles Lewis III -
Premieres by Arielle Smith and Annabelle Lopez Ochoa at SF Ballet bring two well-known women to vivid life.
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