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Saturday, December 14, 2024

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Tagged with: Second Act

Stage Review

Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’

Charles Lewis III -
Noël Coward's classic is reanimated at Aurora Theatre in grand style—and dials up the himbo-factor.
Stage Review

In peppy ‘Legally Blonde,’ institutional sexism in pink and white

Charles Lewis III -
Ray of Light Theatre casting a Black lead in beloved story adds much-needed diversity, but also some confusion.
Stage Review

SF-born ‘Wicked’ celebrates its 20th anniversary

Charles Lewis III -
Why fix that witch ain't broken?
Stage Review

In ‘Shipping & Handling,’ a meta-sci-fi scan of AI and Blackness

Charles Lewis III -
Star Finch's latest delves into contemporary concerns about what kind of robots will take over the world.
Onstage

Star Finch’s ‘Shipping & Handling’ urges consideration of what we’re being delivered

Emily Wilson -
We spoke with the playwright about her most ambitious production to date.
Stage Review

Second City takes Berkeley Rep

Charles Lewis III -
Legendary Chicago improv company doesn't hesitate to remind you of its bona fides—but it's all well-deserved.
Stage Review

Load up the truck with family drama, it’s time to hit ‘Mother Road’

Charles Lewis III -
Octavio Solis’ latest at Berkeley Rep puts a racial spin on father-son dynamics and the burden of inheritance.
Music Review

Cat Power plugged into Dylan’s electric shocker with pitch-perfect tribute

Zack Ruskin -
Known for her choice covers, the musician recreated 1966's (in)famous ‘Royal Albert Hall’ concert at the Herbst.
Stage Review

Pina Bausch’s ‘Rite of Spring’ matched tempestuous weather with fierce intensity

Lou Fancher -
Dancers from 14 African countries—and a piece by legends Acogny and Airaudo—filled Zellerbach with light and heat.
Stage Review

Despite funky promise, ‘Hippest Trip’ plays like Black history written by ChatGPT

Charles Lewis III -
'Soul Train' tribute at ACT jumps the rails when it comes to representation, power, and even music
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