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Sunday, April 20, 2025

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Tagged with: Theatre

Movies

Oh, the (budget) horrors of Unnamed Film Fest!

Daniel Bromfield -
'The vomit and farts were real,' one director claimed at a post-show Q&A at Balboa Theatre.
Arts Forecast

Arts Forecast: The Stud is finally reopening—come get a sneak peek!

Marke B. -
Plus: RIP Rumi Missabu, The Blessed Madonna, Dalit Dreamlands, KPFA's 75th anniversary, Drunk Drag, Chocolate Festival, more
Music

Sleepytime Gorilla Museum returns, just in time for the rise of the machines

Daniel Bromfield -
Oakland avant-prog outfit's 'of the Last Human Being' employs sledgehammer dulcimers, cartoon xylophones, and 'The Wiggler.'
Onstage

102-year-old heroine Betty Reid Soskin’s journey premieres on Bay Area stage

Lou Fancher -
Writings and songs by the nation's oldest park ranger and longtime activist form base of 'Sign My Name To Freedom.'
Movies

With Castro Theatre out, massive Frameline LGBTQ+ film fest gets creative

Marke B. -
New executive director Allegra Madsen takes on fresh challenges with an agile attitude—and innovative locations.
Stage Review

In poignant ‘The Far Country,’ immigrants caught in an endless cycle of abuse

Charles Lewis III -
Lloyd Suh's Berkeley Rep premiere shows the racist US system's damaging affects on Chinese workers.
Dance

After 65 years, Alvin Ailey Dance Theater still exalts Black life and modern movement

Lou Fancher -
Duke Ellington, Alonzo King, and six decades of classics are on tap for company's latest Cal Performances residency.
Opinion

Engardio wants to protect supes from issues ‘outside our control.’ Here’s some amendments

Joel Schechter -
Let's avoid taxes, climate change, war ... or we could just be residents of a city, a country, and a world.
Stage Review

Jewelle Gomez’s ‘Unpacking in P’Town’ lights out on 1959 chosen family vacay

Charles Lewis III -
Playwright says her latest calls upon real life, but its catty quintet seem oddly divorced from the times.
Stage Review

Everyone needs help in ‘Cost of Living’—but how will they ask for it?

Charles Lewis III -
Martyna Majok's play at Oakland Theater Project takes on America's horror of "hand-outs" with fine performances.
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