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Wednesday, September 10, 2025

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Best of the Bay 2025 Editors’ Pick: di Rosa Center for Contemporary Art

Napa institution made major moves with opening of free-entry Incorrect Museum—plus creative strategy to brave era's financial woes.

Napa’s di Rosa Center for Contemporary Art made major moves in 2025. Like other arts museums, institutions, and galleries in the Bay Area, it found itself in a storm of financial challenges and the general public’s shifting cultural habits. The museum recently responded by transforming two of its spaces into rental venues and launching new initiatives.

The changes resulted in staffing cuts and other unfortunate actions, but did not cancel out the di Rosa’s larger, ongoing purpose: showcasing its extensive 1,600-item collection, centered on Northern California art and celebrating new voices entering the conversation.

Ron Arenson, “Six Pack” (1964). Glazed and fired ceramic

Collectors Rene and Veronica di Rosa first opened their private collection to the public in 1997. Since that time, the museum’s exhibits and special programs have focused on established Northern California artists, including Robert Arneson, Joan Brown, Jay DeFeo, Roy De Forest, William T. Wiley, and others. The integration on its 217-acre campus of contemporary new work, outdoor sculptures, nature camps, hikes, the Winery Lake Vineyards, programs at the di Rosa residence, and other features elevates the institution into a culturally significant and ever-changing regional destination.

Arguably best of all, a new 5,000-square-foot satellite space, The Incorrect Museum, has risen like a phoenix—and is free to all visitors. The close-to-home di Rosa SF satellite museum officially opened in early August in the former McEvoy Foundation for the Arts, within the Minnesota Street Project complex. Its first show, “Far Out: Northern California Art from the di Rosa Collection” (now thru October 4), features work by Joan Brown, Enrique Chagoya, Jay DeFeo, Mildred Howard, Packard Jennings, Lynn Hershman Leeson, and Peter Saul.

A bird walk on di Rosa’s Winery Lake. Photo via di Rosa Center for Contemporary Art.

Also on the exhibition calendar are “Jim Melchert: Where the Boundaries Are” (October 18- January 3), the acclaimed ceramicist’s first major retrospective, followed by “Tiffany Shlain/Ken Goldberg: Ancient Wisdom for a Future Ecology: Trees, Time, and Technology” (January 20-April 11). The environmentally-focused, multi-medium Getty PST ART Art & Science Collide exhibition travels from Southern California with the history of Jewish thought, tree science, AI, and their interconnectedness in human life.

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