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Wednesday, February 12, 2025

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Arts + CulturePerformance

Performance

Onstage

Hugh Bonneville’s ‘Uncle Vanya’ clocks the timeless flailing of family dysfunction

Lou Fancher -
'No one is a villain, everyone is flawed,' says Downton Abbey star of Chekhov's classic tragicomedy at Berkeley Rep.
Art

Drama Masks: Voices of incarcerated women take center stage at YBCA

Charles Lewis III -
Art exhibit 'The Only Door I Can Open' and Flyaway Productions' 'I Give You My Sorrows' speak out for prisoners' rights.
Sponsored

ODC School dance classes are for everybody!

48 Hills -
Choose from an electrifying range of classes from the Best of the Bay winner—your first class is only $12!
Stage Review

Drama Masks: Two nights at the Ballet, one hot and one cold

Charles Lewis III -
Weathering scoffs and tiffs at SF Ballet's Opening Night extravaganza, soaking in the provocative joys of 'Manon'
Stage Review

Live Shots: ‘The Lost Inn’ envelops audience in noir faerie intrigue

Jon Bauer and Patty Riek -
Site-specific production at The SF Mint makes it clear why immersive events are having a moment.
Onstage

Drama Masks: Getting ready for the backwards slide

Charles Lewis III -
As the government and major corporations ax DEI initiatives with abandon, will local theatre soon follow suit?
Arts + Culture

Trump’s absurdist ‘Pere Ubu’ moment

Joel Schechter -
Playwright Alfred Jarry's indelible 1896 theatrical tyrant pointed the way to our felon president—and his load of 'merdre.'
Stage Review

Drama Masks: 2025 kicks off with trans visibility center-stage

Charles Lewis III -
Glamorous 'Some Like It Hot' dances up historical inclusion; 'Dragcula' foregrounds the ultimate weapon: joy.
Contest

Win a pair of tickets to see legendary comic Lea DeLaria!

Marke B. -
Sharp-tongued, hilarious actor and musician hits Chan National Queer Arts center on Sat/18 for a singing, dancing extravaganza.
Stage Review

Year on Stage 2024, part 3: Working together is the way forward

Charles Lewis III -
More collaborations, more streaming, more bravery, more meaning—several ways local theatre can face what's ahead.

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