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Sunday, May 10, 2026

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Drama Masks

Drama Masks: Get in, loser, we’re going to the theater

Changes are afoot on local stages—and 'Mean Girls' run amok at Ray of Light. Plus: 'Orpheus' retold, via storefront psychic
Stage Review Charles Lewis III -
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Drama Masks: ‘Hamnet’ is gorgeous, but how was Shakespeare’s sausage made?

Plus: 'Bloodlines' promises resistance, and SF Ballet's techno AI blockbuster 'Mere Mortals' returns, trailing cultural import.
Stage Review Charles Lewis III -
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Drama Masks: From another time of terror, ‘Burden of Proof’ urges to fight and fear not

Alleluia Panis' latest dance follows a Pilipina nurse snatched off the streets and wrongly incarcerated.
Stage Review Charles Lewis III -
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Drama Masks: Of tyrannical kings and dancing kilts

SF Ballet's 'La Sylphyde' goads us to run to the woods; NCTC's 'how to make an American son' picks at the myth of meritocracy
Stage Review Charles Lewis III -
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Stage Review

Drama Masks: Keeping the monsters of the world at bay

Charles Lewis III -
Perk yourself up with 'Lost in Yonkers' or 'Compton's' riot. Meanwhile, Berkeley Rep's 'The Monsters' tells a sadly familiar tale.
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Stage Review

Drama Masks: Mad, bad, and dangerous to see

Charles Lewis III -
'MJ' is no thriller, despite technical expertise; 'Our Class' shows the risks of inaction in highly charged times.
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Stage Review

Drama Masks: A dance of secrets—and the music of chance

Charles Lewis III -
SF Ballet's beautiful 'Don Quixote' comes with questions, '||: Girls :||: Chance :||: Music :||' sounds great. Plus: A pre-Giuliani 'Macbeth'?
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Stage Review

Drama Masks: Monsters in our midst, as Black and queer history looms

Charles Lewis III -
Two art shows at YBCA exhibit the drama of past and present, while NCTC's 'Gods & Monsters' attempts a fresh take.
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Stage Review

Drama Masks: Kings in their castle—and a queen in her closet

Charles Lewis III -
'Spamalot' at Golden Gate Theatre rides on familiar laughs; 'The Ache' at Z Below brings music and drama to heel.
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Stage Review

Drama Masks: ‘Paranormal Activity’ and other things that go bump in the night

Charles Lewis III -
Plus: 'All My Sons' proves Arthur Miller's anti-establishment cred and 'Looking For Justice' finds a broken system.
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Onstage

Drama Masks: The Manhattanization of San Francisco stages

Charles Lewis III -
Bilal Mahmood's proposal for a new arts district promises to be of little benefit to local creatives.
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Performance

Drama Masks: Why is SF Ballet still performing at the Kennedy Center?

Charles Lewis III -
Some of the country's most prominent artists have dropped out after Trump's takeover. Why not our Ballet?
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Stage Review

Drama Masks: Feel good this plot is not

Charles Lewis III -
Plus: 'How Shakespeare Saved My Life' fumbles in tale of a young man's love for The Bard and hip-hop.
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Stage Review

Drama Masks: New looks at ‘A Streetcar Named Desire’ and ‘Eugene Onegin’

Charles Lewis III -
Stripped down at ACT and revamped at SF Ballet, two very familiar tales take January's big stages.
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Stage Review

Drama Masks: Does ‘The Book of Mormon’ hold up in darker times?

Charles Lewis III -
'South Park' creators' Broadway smash returns at 15. Plus: Killing My Lobster popped back in with a sexy mime competition.
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Onstage

Drama Masks: Stage predictions for 2026

Charles Lewis III -
Will AI take over companies? Would a recession be good for artists? And which three companies give us hope for local theatre's future?
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Onstage

Drama Masks: Does City Hall even care about the arts anymore?

Charles Lewis III -
Mayor Lurie's city charter reform group contains no one with local arts experience, sidelining a huge part of SF.
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Stage Review

Drama Masks: Year on Stage 2025, part 2—the good stuff

Charles Lewis III -
When times got tough, our best artists got fierce: Golden Thread, OTP, Mime Troupe, Marga Gomez were standouts.
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Stage Review

Drama Masks: Year on Stage 2025, part 1—the not-so-great stuff

Charles Lewis III -
A year of devastating cuts, wild uncertainty, and unexpected departures left its mark on the SF scene.
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