Opera Archives - Page 11 of 34

Stage Review

Trans power takes center stage in ‘The Red Shades’ and ‘Pony’

Charles Lewis III - October 31, 2022

Cutting Ball's identity-oriented murder mystery and a 'superhero rock opera' at Z Space show why SF's theater scene is unique

Movies

Screen Grabs: A lost local ’90s gem finally gets a revival

Dennis Harvey - October 13, 2022

Plus: A Lebanese all-woman rock band doc, the return of Dario Argento and Claire Denis, and 'All Quiet on the Western Front"

Movies

Screen Grabs: A revisionist Western that still shines bright

Dennis Harvey - October 7, 2022

'McCabe and Mrs. Miller' at the Roxie. Plus: Korean monster mash 'Project Wolf Hunting,' bloody 'Piggy,' fascist foreshadowing in 'Riotsville U.S.A.'

Movies

Screen Grabs: Festivalpalooza! Mill Valley, Latino, Short, Green, Drunken

Dennis Harvey - October 3, 2022

Brendan Fraser, Cate Blanchett, Jose Feliciano, Fantastic Negrito, and a lot of cocktails make for one wild week of film

Movies

Screen Grabs: ‘Women are furious, and they are totally right’

Dennis Harvey - September 30, 2022

A legend captures a new Chilean revolution. Plus: Sigourney Weaver's 'Good House,' dour 'God's Creatures,' more new movies

Movies

Screen Grabs: The strange woman fetish of ‘Don’t Worry Darling’ and ‘Blonde’

Dennis Harvey - September 22, 2022

From hapless heroines to speculum shots—whatever happened to self-determination?

Stage Review

Going hard for the Bard: SF Opera’s jaw-dropping ‘Antony and Cleopatra’

Charles Lewis III - September 21, 2022

John Adams' latest transports Shakespeare to 1930s Europe—and set designer Mimi Lien nearly steals the show

Movies

Screen Grabs: Desires dark and devious, from Texas to Brazil

Dennis Harvey - September 8, 2022

Patricia Highsmith's hidden life, a steamy Bahia adventure, and the undeniable appeal of Justin Long

Movies

Screen Grabs: The government is no one’s friend in ‘Costa Brava, Lebanon’

Dennis Harvey - August 31, 2022

Plus: Heavyweight revival action this weekend, from Poland's The Three Colors Trilogy to—yes—Flash Gordon.

Art

SF’s Carlos Villa becomes first Filipino American honored by a major museum retrospective

Natalia Robyns-Kresich - August 31, 2022

But sadly—for San Francisco—his multi-site show is missing an important component.

Tagged with: Opera

Trans power takes center stage in ‘The Red Shades’ and ‘Pony’

Screen Grabs: A lost local ’90s gem finally gets a revival

Screen Grabs: A revisionist Western that still shines bright

Screen Grabs: Festivalpalooza! Mill Valley, Latino, Short, Green, Drunken

Screen Grabs: ‘Women are furious, and they are totally right’

Screen Grabs: The strange woman fetish of ‘Don’t Worry Darling’ and ‘Blonde’

Going hard for the Bard: SF Opera’s jaw-dropping ‘Antony and Cleopatra’

Screen Grabs: Desires dark and devious, from Texas to Brazil

Screen Grabs: The government is no one’s friend in ‘Costa Brava, Lebanon’

SF’s Carlos Villa becomes first Filipino American honored by a major museum retrospective

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