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Friday, April 19, 2024

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Tagged with: Opera

‘Swan Lake,’ again? SF Ballet’s latest dip into classic justifies return

The company has performed the piece three times in four years, but stunning leads and ensemble work keep it fresh

Screen Grabs: Two strong films make global immigration personal

'Io Capitano' and 'The Legionnaire' spur empathy. Plus: Gay rarity 'Drifter,' potent noir 'The Road to Shame,' more

Theatrical spectacularist Taylor Mac: ‘The solution to straight pain is queer joy’

The gonzo performance artist's 'Bark of Millions' is an ecstatic four-hour, 55-song reverse-conversion therapy session.

Screen Grabs: Look out, there’s an Oscar in your shorts

This year's nominated animated, live action, and documentary shorts are a mixed bag, but there are some rewarding watches.

Screen Grabs: Rare queer films, from the dawn of Gay Lib to the onset of AIDS

Plus: 'Taste of Things,' 'Totem,' 'Perfect Days,' and a mad dash through 10,000 years of history from a sex worker’s perspective

At SF Ballet, two very different sides of ‘British Icons’

Notoriously difficult, dissimilar pieces by Kenneth MacMillan and Frederick Ashton showed the company's versatility

Screen Grabs: Has democracy peaked? Ask the monk with the gun

Elections bring trouble in Bhutan. Plus: Franz Rogowski meets French imperialism in 'Disco Boy,' pretty but plodding 'Peasants'

Screen Grabs: Mads Mikkelsen magnetizes in epic ‘The Promised Land’

Sweeping Danish historical saga offers the actor a superb showcase, and an unnerving nemesis

Elizabeth Barlow paints ‘the fierce life force in even the tiniest flower’

Potent symbols—and beauty with a capital B—in the artist's vivid 'Flora Portraits.'

‘Mere Mortals’ drowns its provocative beauty in noise and lights

SF Ballet takes on the promise/threat of Artificial Intelligence, but the digital onslaught is all too much.