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Saturday, November 16, 2024

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Tagged with: War on Drugs

Lit

‘Jeopardy!’ champ Amy Schneider does not want to be your favorite trans person on TV

Lou Fancher -
On the eve of her appearance at Porchlight Storytelling's Litquake edition, the beloved game show guru and memoir author isn't holding back.
Lit

Corporate propaganda has cost 90 percent of US residents $47 trillion. Here’s why

Tim Redmond -
Eminent science historian Naomi Oreskes talks about business, government, and her groundbreaking new book, 'The Big Myth.'
Drug policy

Breed continues to push arrests as solution to substance-abuse issues

Tim Redmond -
Evidence shows this policy never works as right-wingers continue to push their attacks on local judges
Crime

The right-wing forces can’t blame their DA or their mayor, so they are attacking judges

Tim Redmond -
Ousting Chesa Boudin and creating a new War on Drugs isn't working, so now they are seeking someone else to blame
Opinion

The Oakland school bomb threat is a dire warning about our current politics

Cat Brooks -
Right-wing activism is happening at both the national and the local level.
Drug policy

The myth of drug cartels is a cover for state-sanctioned violence

Caitlin Donohue -
Author Oswaldo Zavala says the way we think about Mexican narcos is all wrong
Drug policy

Dorsey attack on wellness center signals larger issues in SF’s new War on Drugs

Tim Redmond -
The mayor, the DA, and the Tech Right want to revive a failed policy—and maybe go after local judges.
City Hall

Supes discuss reparations—and disgraceful news media coverage

Tim Redmond -
Some truth about the critical work of the African American Reparations Advisory Committee and its groundbreaking report
The Agenda

The city’s climate plan will cost money; will Breed support progressive taxes to pay for it?

Tim Redmond -
Plus: A long-awaited hearing on the city's reparations plan—and a debate over more money for the cops. That's The Agenda for March 12-19
Environment

The Hunters Point Shipyard: Art survives amid toxic waste

Tom Molanphy -
Part II: As artists move into the former base, the level of contamination reaches the point where 'if it can't be cleaned, stay the hell out.'
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