Sponsored link
Wednesday, May 1, 2024

Sponsored link

Arts + CultureMusicSamara Joy and Orchestra Gold define the new classic...

Samara Joy and Orchestra Gold define the new classic at 40th SF Jazz Festival

3 concerts you'll want to lock in now—plus news on a redefinitional approach to the Great "American" Songbook.

Trying to learn more about recent Grammy winners and African psychedelic rock in the Bay? The just-announced 40th San Francisco Jazz Festival (June 7-18) from SFJAZZ is about to refresh your knowledge of what constitutes America’s classical music in 2023. The event’s organizers continue to foster modernity by bringing in new grooves, veteran performers, and local artists that present a variety of distinct ingredients to the jazz table.

Samara Joy, Cindy Blackman Santana, José James, Delvon Lamarr Organ Trio, Charlie Musselwhite, Elvin Bishop, Al Di Meola, Ambrose Akinmusire, Charles McPherson, Oakland’s own Orchestra Gold, and many more can be found on the bill. Forty shows will be presented over 12 days as part of the anniversary celebrations, and the Robert N. Miner Auditorium, Joe Henderson Lab, and Herbst Theatre will host.

The festival will be followed by SFJAZZ’s annual Summer Sessions concert series, which is scheduled to take place for six weeks from July 13 to August 20. The events on that run are arranged into curated, thematic weeklong “mini-festivals” based on the concept of the Great American Songbook. This theme takes the idea of the “American” song tradition and extends it to the entirety of the American continents, encompassing North, Central, and South America.

Summer Sessions programming includes Savion Glover tributes to Gregory Hines and Sun Ra, Martin Luther McCoy’s Mixtape, Sun Ra Arkestra, Taj Mahal, Stanley Clarke, Tammy L. Hall, Desiree Cannon, and many others.

Tickets for the festival and Summer Sessions go on sale to SFJAZZ Members on Fri/24, and to the general public on March 3.

Take a closer look at these three shows coming up at the 40th San Francisco Jazz Festival:

SAMARA JOY AT MINER AUDITORIUM, JUNE 16

This Grammy-winning singer released her self-titled debut album in 2021, and was named JazzTimes’ best new artist. Linger Awhile, her second album, was released in September 2022 and won best jazz vocal album at the 2023 Grammy Awards, where she was also named best new artist—marking the second time in history that a jazz artist has been presented with the award. More info here.

DELVON LAMARR ORGAN TRIO AT JOE HENDERSON LAB, JUNE 19

This group “specializes in the forgotten art of ‘feel good music,’” according to its label’s website. DL3 has become a festival highlight, beaming up crowds with the right inflection of Jimmy Smith’s Hammond B-3 groove. The sound is silky, jamming, and always “pocket as f*ck,” as Colemine Records boss Terry Cole likes to say in the press. It’s a show not to miss. More info here.

ORCHESTRA GOLD AT JOE HENDERSON LAB, JUNE 18

Track “Keleya” by African psychedelic rock group Orchestra Gold hits you with a certain level of profundity, cosmic swirl, and Fela-like groove. Mariam Diakite delivers its raw, mesmerizing vocals. Attacking saxophone charts, measured bass lines, and galvanic meter serve as the ideal foundation for the expanding guitar lines that squall through the song. In a nutshell, it’s dope.

The SFJAZZ anniversary festival will be followed by SFJAZZ’s annual Summer Sessions concert series, scheduled for six weeks from July 13 to August 20, arranged into curated, thematic weeklong “mini-festivals” based on the concept of the “Great Americas Songbook.” This theme takes the idea of the American song tradition and extends it to the entirety of the “the Americas,” encompassing North, Central, and South America.

The programming includes Savion Glover tributes to Gregory Hines and Sun Ra, Martin Luther McCoy’s Mixtape, Sun Ra Arkestra, Taj Mahal, Stanley Clarke, Tammy L. Hall, Desiree Cannon, and many others. More info here.

For tickets and more information on the San Francisco Jazz Festival and Summer Sessions go here.

48 Hills welcomes comments in the form of letters to the editor, which you can submit here. We also invite you to join the conversation on our FacebookTwitter, and Instagram

John-Paul Shiver
John-Paul Shiverhttps://www.clippings.me/channelsubtext
John-Paul Shiver has been contributing to 48 Hills since 2019. His work as an experienced music journalist and pop culture commentator has appeared in the Wire, Resident Advisor, SF Weekly, Bandcamp Daily, PulpLab, AFROPUNK, and Drowned In Sound.

Sponsored link

Featured

Striking probe of colorism leads to artist’s first show—at the MoMA, no less

CCA student Mary Graham's 'Value Test: Brown Paper' locates universal story through Black past.

Everyone loves Vienna’s housing policy; there’s a reason that it works so well

It's not 'rocket science.' It's high taxes on the rich and money for social housing. The tech barons want people who support those policies in SF voted out.

Restoring the ecosystem of City College

The next chancellor needs to prioritize all types of classes for all types of students.

More by this author

1984—the year pop music shot to the stratosphere

As the 40th anniversary releases and tributes roll out, revisiting a year of barrier-busting giants.

Under the Stars: Gauging the Bay Area spring music hype

Free Yerba Buena Gardens Festival, SF Symphony at the Movies, Brijean's return help patch tragedies like the A's leaving

Beyoncé’s country swerve broke the charts—but don’t forget the Pointer Sisters

A preferential guide to previous artists who have spoken the same coded language of Americana roots music.
Sponsored link

You might also likeRELATED