Thursday, July 9, 2026

Emily Wilson

Emily Wilson
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Emily Wilson lives in San Francisco. She has written for different outlets, including Smithsonian.com, The Daily Beast, Hyperallergic, Women’s Media Center, The Observer, Alta Journal, The San Francisco Chronicle, California Magazine, UC Santa Cruz Magazine, and SF Weekly. For many years, she taught adults getting their high school diplomas at City College of San Francisco. She hosts the short biweekly podcast Art Is Awesome.

A ‘Frida y Diego’ opera that ditches clichés (and castanets)

'We bring our vision as contemporary Mexican artists and avoid all this noise,' says Lorena Maza of SFO's first production in Spanish

Binding craft to concept at Center for the Book, from Yoko Ono to Reginald Walker

Curator Megan N. Liberty's latest show highlights a surprising artistic intersection of materials and ideas.

Munch’s ‘Madonna’ and a Marina Abramović rose quartz dragon on which to rest

With surprising range, "Rituals of Devotion" explores the many languages of love.

‘What These Walls Won’t Hold’ is incarcerated people’s drive to create

Adamu Chan's documentary blows lid off official accounts of life in San Quentin at the height of COVID.

With joy and uplift, COLORFORMS leaps from screen to stage at SF Ballet

COVID forced choreographer Myles Thatcher to film his new dance at arts institutions; now it debuts live

Glitter-strewn resistance: Amalia Mesa-Bains talks beauty

Groundbreaking Chicana artist traces path of her Berkeley retrospective.

In ‘Sobremesa,’ a chain of artists serves up china dumplings, doughy ducks, plum branches

Catharine Clark Gallery's tag-team show gives artists prompts to set their own table—with real food accompaniment.

Illuminating an Indigenous future through Mayan cosmology and ancestral weaving

With 'The Ritual of Myth Making: Reclaim' at Root Division, curators Katherin Canton and Mariana Moscoso follow the Saq’be’.

Erin Merritt stirs domestic terrorism, violent rhetoric—and humor!—into ‘Tea Party’

The director, weathering ALS, fulfills a decade-long dream to stage Gordon Dahlquist's scabrous satire.

Sound! Lights! Survival! It’s ‘Cambodian Rock Band’

Lauren Yee's play at Berkeley Rep uses Dengue Fever's music to tell a story of terror, resilience, and justice.