tamara suarez porras, Author at 48 hills

Art Review

Christine Elfman’s anthotypes enter the slippery space between momentary and eternal

April 15, 2022

In 'All solid shapes dissolve in light' at EUQINOM, lichen dyes bring forth ethereal lavenders, and month-long exposures demonstrate care

Movies

Greta Snider’s experimental films pack a punk punch at the Roxie

March 18, 2022

16mm autoethnographies, found footage essays, materialist inventions, and recent projects focusing on human rights hit the screen

Art

Review: In ‘Here Be Dragons,’ vibrant windows onto colonial economies

March 13, 2022

Sula Bermúdez-Silverman embeds indigenous commodities into transparent lunettes at Friends Indeed gallery.

Art

Review: Sydney Cain’s gentle erasures summon omnipotent ancestral lineages

February 9, 2022

In 'Dust to Dust' at Rena Bransten, charcoal, graphite, and powdered metals evoke Black legacies and genealogical power.

Art

Review: An alchemical conversation of brushstrokes at Cushion Works

January 27, 2022

Etel Adnan and Lynn Marie Kirby's 'THE WEATHER IS NOWADAYS CRAZY' at Cushion Works

Art

Who says mythology is fiction? Group show explores edge of fantasy

December 5, 2021

"Can you prove it did not happen?" asks 'Under the Waqwaq Tree' curator Naz Cuguoğlu.

Art

Review: For two days in her home, Susan Nakata’s delicate work shone bright

November 13, 2021

The Kensington artist hosted 'Notions,' which emphasized the resiliency of artists who maintain a lifelong practice.

Art

Review: Dynamic humor and unsettling magic in Lindsey White’s ‘How to Get on Cable Television’

October 28, 2021

The artist's latest at Casemore Kirkeby continues her quest to set whimsy alongside criticality.

Art

Review: A fascinating forensic spiral in ‘The Strange Case of Theodule Otis’

October 21, 2021

Andrew Chapman's latest at Et al. presents a mystery that underscores the slippery textures of truth

Art

Review: Sound and shadow evoke Nasim Moghadam’s Iranian roots, womxn’s solidarity

September 9, 2021

In 'I Sprout on my Wound' at Aggregate Space, the artist also manipulates her passport photo and cut hair.

tamara suarez porras