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Tuesday, March 19, 2024

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Onstage

Lampooning the foibles of amity in ‘Look! We Have Friends!’

Killing My Lobster's latest comic adventure takes aim at Dale Carnegie, Hello Fresh, and the scent of Ben Shapiro.

Degenerate Art Ensemble processes trauma through Butoh-inspired dance

Company's 'Skeleton Flower' at ODC confronts harsh experience but is also 'wrapped in love.'

Live Shots: Stephen and Damian jam during high Marley moment at the Masonic

The brothers' Traffic Jam tour unleashed multiple generations of hits, Haile Selassie visuals.

Robert Moses’ ‘New Legacies’ takes on the specter of censorship

'There’s a body to culture and we’re cutting off the legs and arms,' says choreographer about latest innovative work.

Eviction breeds guerrillas as the people fight back in ‘Dirty White Teslas Make Me Sad’

Ashley Smiley's world premiere at Magic Theatre presses hot button issues through the lives of Black San Franciscans.

The Algorithm speaks! BD Wong on the power of ‘Big Data’

'I love manipulating the molecules in the air and changing the tone of the moment,' actor says of A.C.T. role

Playwright Ashley Smiley takes on neighborhood diplacement and Tesla-stamped MDMA

Her 'Dirty White Teslas Make Me Sad' at Magic Theatre is a personal take on gentrification and the city's loss.

‘Swan Lake,’ again? SF Ballet’s latest dip into classic justifies return

The company has performed the piece three times in four years, but stunning leads and ensemble work keep it fresh

From ‘Drag Race’ to Madonna tour, Bob the Drag Queen rules the world

'San Francisco is incredibly fun, incredibly queer, and so open,' says superstar emcee of 'Celebration Tour.'

Killing My Lobster sketches a decade of laughs, coked-up Spiderman and all

In 'Best of KML,' the venerable comedy troupe revisits some greatest hits—just don't toss that baby out the window.

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