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Monday, February 10, 2025

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PerformanceOnstage

Onstage

Art

Drama Masks: Voices of incarcerated women take center stage at YBCA

Charles Lewis III -
Art exhibit 'The Only Door I Can Open' and Flyaway Productions' 'I Give You My Sorrows' speak out for prisoners' rights.
Stage Review

Drama Masks: Two nights at the Ballet, one hot and one cold

Charles Lewis III -
Weathering scoffs and tiffs at SF Ballet's Opening Night extravaganza, soaking in the provocative joys of 'Manon'
Stage Review

Live Shots: ‘The Lost Inn’ envelops audience in noir faerie intrigue

Jon Bauer and Patty Riek -
Site-specific production at The SF Mint makes it clear why immersive events are having a moment.
Onstage

Drama Masks: Getting ready for the backwards slide

Charles Lewis III -
As the government and major corporations ax DEI initiatives with abandon, will local theatre soon follow suit?
Stage Review

Drama Masks: 2025 kicks off with trans visibility center-stage

Charles Lewis III -
Glamorous 'Some Like It Hot' dances up historical inclusion; 'Dragcula' foregrounds the ultimate weapon: joy.
Contest

Win a pair of tickets to see legendary comic Lea DeLaria!

Marke B. -
Sharp-tongued, hilarious actor and musician hits Chan National Queer Arts center on Sat/18 for a singing, dancing extravaganza.
Dance

At 50, Dance Brigade invokes ‘A Woman’s Song for Peace’

Mary Carbonara -
'This tour was born from the glory days of women's art, when we were confident we could make a difference,' says founder Krissy Keefer.
Stage Review

Year on Stage, 2024, part 2: The highs took a bold stand

Charles Lewis III -
The best productions of the year faced what was happening in the world directly, offering oases of inspiration.
Stage Review

Year on Stage 2024, part 1: The lows (and some hope)

Charles Lewis III -
The Bay Area theatre scene lost a lot—and ignored a lot—this year, when we needed it more than ever. But we're still hanging on.
Stage Review

Drama Masks: Two different ‘Carols’ while the world gets Scrooged

Charles Lewis III -
SF Mime Troupe's populist 'A Red Carol' and ACT's new 'A Whynot Christmas Carol' create a curious holiday dichotomy.

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