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Monday, April 14, 2025

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Onstage

Drama Masks: Performative politics

SF Ballet's 'Van Manen' renders the art form accessible and Izzard crunches 'Hamlet,' while 'the boiling' offers a magnetic pandemic tale.

Community re-telling of Compton’s Cafeteria riot storms Tenderloin stage

Co-written by neighborhood's trans leaders, play's meaning expands far past single night.

Drama Masks: Hypnotic maritime flamenco, messages in a bottle

Dance tells a yarn in 'Songs from a Sinking Ship.' Plus: How did the city's stages acknowledge Trans Visibility Day?

Queer American Songbook to Ukrainian trans theater, SF International Arts Festival won’t play it straight

Venerable fest doubles down at unlikely, if urgent moment for convening global LGBTQ+ creatives.

Drama Masks: Dreamlike delivery of prim-and-proper trans history in ‘I Am My Own Wife’

Plus: SF Ballet's 'Frankenstein' was a Gothic, if not great, delight and Killing My Lobster's new 'fun run' rips and roars.

Resurrecting ‘Frankenstein,’ after its creator’s tragic death

Liam Scarlett's intricate gothic epic returns to SF Ballet, with principals determined to preserve its 'warmth and heart.'

Drama Masks: Fear not the fan

Coleman Domingo's 'Wild With Happy' blends Black Baptist sensibility with Disneymania, 'Nobody Loves You' finds no quarrel here.

‘March Madness’: Punking up opera with Nikola Printz

Mezzo-soprano channels diva chaos, mosh pits, classic cabaret, aerial acrobatics into sensational spectacle at Chan Center.

Drama Masks: Drawing the line

Opera Parallèle's 'The Pigeon Keeper' took on the costs of xenophobia, while Central Works' 'Push/Pull' tackles toxic masculinity.

Drama Masks: When illness derails the performance

As flu and COVID cases rise (many of them deadly), how will the local theater scene adjust its communal experience?

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