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Friday, March 14, 2025

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Onstage

Drama Masks: Drawing the line

Opera Parallèle's 'The Pigeon Keeper' took on the costs of xenophobia, while Central Works' 'Push/Pull' tackles toxic masculinity.

Drama Masks: When illness derails the performance

As flu and COVID cases rise (many of them deadly), how will the local theater scene adjust its communal experience?

Pas de deux: Two Black choreography giants talk decades of Bay Area dance

Robert Moses and Ramón Ramos Alayo's companies approach major anniversaries in an era of artistic urgency.

‘Nobody Loves You’: Looking for longterm musical romance, available now

Creators of ACT's reality TV-based play talk about its many twists and changes, and the enduring power of artistic friendship.

Drama Masks: ‘Uncle Vanya’ breathes new life; ‘Cuckoo Edible Magic’ gets stoned

Chekhov gets a fresh and electrifying update at Berkeley Rep, while SFBATCO delivers an anime-inspired sentient rice cooker battle.

Miguel Gutierrez choreographs for the end of the world

'What will happen to us?' asks unfiltered artist with deep San Francisco roots in latest work, 'Super Nothing.'

Drama Masks: Time can work against us all

This is Drama Masks, a Bay Area performing arts column from a born San Franciscan and longtime theatre artist in an N95 mask. I...

Drama Masks: When public transit woes make you miss the show

BART and Muni cuts—not to mention the threat the new regime poses to local arts—will most certainly sever theatre lifelines.

Hugh Bonneville’s ‘Uncle Vanya’ clocks the timeless flailing of family dysfunction

'No one is a villain, everyone is flawed,' says Downton Abbey star of Chekhov's classic tragicomedy at Berkeley Rep.

Drama Masks: Voices of incarcerated women take center stage at YBCA

Art exhibit 'The Only Door I Can Open' and Flyaway Productions' 'I Give You My Sorrows' speak out for prisoners' rights.

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