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Thursday, November 21, 2024

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Arts + CulturePerformance

Performance

Fabulous alien scares aplenty in ‘Fatal Abduction’—just watch that anal probe

The latest Terror Vault installation has an elaborate backstory, lots of green goo, and, of course, a wormhole.

Quiet, please: Mummenschanz is still miming magic 50 years on

'It’s poetic, it’s playful, it’s interactive' says founder Floriana Frassetto of troupe's iconic human slinkys and toilet paper faces.

MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh

In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.

Meet the makeup mastermind behind Terror Vault’s shocking aliens

Backstage at the 'Fatal Abduction' show, Jason Henricks works magic with prosthetics, color, and triple nipples.

AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’

In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.

A terrific tour through Transatlantic African dance in ‘Raíces et Résistance’

Co-creators Susana Arenas Pedroso and Bongo Sidibe fill Dance Mission with eye-popping costumes and energetic moves.

In ‘Takes All Kinds,’ a trip through red states brings out complex humanity

Dan Hoyle's latest chameleonic exercise in 'theater journalism' reveals deep stories behind the stereotypes.

Live Shots: Roy Wood Jr. tore it up at Stanford Live

Known for stints on the Daily Show and CNN, the veteran comedian kicked off a new comedy series at Memorial Auditorium.

‘Ode to Jane’: Flying high in the Tenderloin for abortion rights

Flyaway Productions' latest sees death-defying dancers dangling above while trenchant pro-choice voices play.

In threatening times, Dan Hoyle seeks out democracy with a small ‘d’

The theatrical chameleon's new 'Takes All Kinds' incorporates the voices of unlikely characters across the US.

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