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Thursday, November 21, 2024
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Arts + Culture
Performance
Performance
Top reads
Drama Masks: When the whole world feels ‘Akimbo’
Drama Mask: ‘Matchbox Magic Flute’ is a mini-Mozart marvel
Can’t they stay this way forever? Only if they bridge ‘The Gulf’
Two mighty giants of art go wall-to-wall in ‘The Contest’
Bow before the Canadian drag power of Queen Priyanka
‘They come across oceans’: SF International Hip Hop DanceFest keeps leaping ahead
Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’
At SF Opera, a ‘Tristan and Isolde’ that’s hardly a tragedy
Sharp & Fine’s ‘A Detective Story’ danced seductively around its central mystery
In ‘Breed or Bust,’ Joyful Raven puts a face on vital reproduction issues—hers
Stage Review
Fabulous alien scares aplenty in ‘Fatal Abduction’—just watch that anal probe
Charles Lewis III
-
October 22, 2024
The latest Terror Vault installation has an elaborate backstory, lots of green goo, and, of course, a wormhole.
Onstage
Quiet, please: Mummenschanz is still miming magic 50 years on
Nicole Gluckstern
-
October 22, 2024
'It’s poetic, it’s playful, it’s interactive' says founder Floriana Frassetto of troupe's iconic human slinkys and toilet paper faces.
Stage Review
MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh
Charles Lewis III
-
October 17, 2024
In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.
Onstage
Meet the makeup mastermind behind Terror Vault’s shocking aliens
Nicole Gluckstern
-
October 16, 2024
Backstage at the 'Fatal Abduction' show, Jason Henricks works magic with prosthetics, color, and triple nipples.
Stage Review
AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’
Charles Lewis III
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October 16, 2024
In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.
Stage Review
A terrific tour through Transatlantic African dance in ‘RaÃces et Résistance’
Charles Lewis III
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October 15, 2024
Co-creators Susana Arenas Pedroso and Bongo Sidibe fill Dance Mission with eye-popping costumes and energetic moves.
Stage Review
In ‘Takes All Kinds,’ a trip through red states brings out complex humanity
Charles Lewis III
-
October 14, 2024
Dan Hoyle's latest chameleonic exercise in 'theater journalism' reveals deep stories behind the stereotypes.
Comedy
Live Shots: Roy Wood Jr. tore it up at Stanford Live
Jon Bauer
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October 11, 2024
Known for stints on the Daily Show and CNN, the veteran comedian kicked off a new comedy series at Memorial Auditorium.
Stage Review
‘Ode to Jane’: Flying high in the Tenderloin for abortion rights
Charles Lewis III
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October 9, 2024
Flyaway Productions' latest sees death-defying dancers dangling above while trenchant pro-choice voices play.
Onstage
In threatening times, Dan Hoyle seeks out democracy with a small ‘d’
Emily Wilson
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October 9, 2024
The theatrical chameleon's new 'Takes All Kinds' incorporates the voices of unlikely characters across the US.
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