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Saturday, January 18, 2025

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Arts + CulturePerformance

Performance

‘The Wait Room’ expresses the physical effects of a loved one’s incarceration

“When my husband was first sentenced, people would cross the street to avoid me,” remembers choreographer Jo Kreiter, writing to 48 Hills before her...

Reviews: News of the real world in ‘The Jungle’ and ‘N—aroo’

ONSTAGE  "Theater brings news," an old saw goes. That can be interpreted any number of ways, but The Jungle (through May 19 at the Curran) brings...

Dimensions Dance comes ‘Armed with Joy’ and ‘Sanctuary’

DANCE Choreographer Erik Lee has always seen dance as a form of worship. Now he thinks that idea has growing acceptance, and he’s glad to be...

Review: Wild highs and lows in ‘Falsettos’

ONSTAGE The first act of revered musical Falsettos—the touring 2016 Broadway revival stops at Golden Gate Theatre through April 14—is a fascinating study in nostalgia....

David Herrera Performance Company explores the power of empathy—and loss

DANCE The mission of David Herrera's acclaimed dance-performance company is "to promote the diversity of the Latinx experience in the United States, in an effort...

Review: Tuskegee Airmen take flight again in ‘Black Eagles’

ONSTAGE Black Eagles (through March 31 at Marines' Memorial Theatre), now being staged by the African-American Shakespeare Company and directed by L. Peter Callender, illuminates...

Reviews: Gender under the microscope in ‘Queent’ and ‘Boys in Trouble’

DANCE What happens when drag gestures are codified as dance? What happens if drag struggles are brought to the dance arena? And how can...

Tracking the human condition through a Nigerian family epic

ONSTAGE While writing the nine plays of the Ufot Family Cycle, which follows several generations of a family of Nigerians in America, Mfoniso Udofia...

In ‘La Ronde,’ a merry-go-round of trysts—with a twist

ONSTAGE La Ronde, a turn of the century play by Arthur Schnitzler, has 10 scenes for 10 actors. In the Cutting Ball Theater’s upcoming production...

Exploring consent—and its conversations—in ‘Actually’

ONSTAGE In the first grade, Michael A. Curry had a role in “The Wiz.” He loved being on stage, and he never really considered another...

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