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Monday, December 9, 2024

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Tagged with: berkeley

Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’

Noël Coward's classic is reanimated at Aurora Theatre in grand style—and dials up the himbo-factor.

The wild spirit of Phil Lesh ripples in unexpected directions

The Grateful Dead bassist leaves a spry legacy of unconventional technique, heard in these recent acts.

Screen Grabs: Soviet hard labor camps couldn’t stanch this brilliant director’s vision

Sergei Parajanov's work seems more vital than ever. Plus: 'Wandering Paths' walks around France, 'Don't Move' thrills, more new movies

SF’s Goethe-Institut makes a big move—and asks even bigger questions

German cultural powerhouse's new art/tech show queries: 'Can technology enable artists to create an equitable society?'

SF rave doc ‘Between the Beats’ finally hits the streets

Martin O’Brien’s long-awaited treasury of early '90s memories is a Venn diagram of Bay Area party culture.

Quiet, please: Mummenschanz is still miming magic 50 years on

'It’s poetic, it’s playful, it’s interactive' says founder Floriana Frassetto of troupe's iconic human slinkys and toilet paper faces.

Sholeh Asgary’s metamorphic ‘آبـان (Aban)’ slips from the haze of dreams

The Oakland installation artist's engrossing first album is full of insects, sirens, santur, and ghostly flickers of her voice.

‘Where Do We Go’ launches new campaign against homeless sweeps

Organizers vow to set up new encampments in public spaces every time cities evict the unhoused.

Fan Warren’s weighty works evoke the Black Madonna in all her glory

Oakland artist pulls from folk art, her ancestors' journey, and our need for maternal love in times of strife.

MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh

In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.