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Monday, December 9, 2024
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Tagged with:
berkeley
Stage Review
Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’
Charles Lewis III
-
November 3, 2024
Noël Coward's classic is reanimated at Aurora Theatre in grand style—and dials up the himbo-factor.
Music
The wild spirit of Phil Lesh ripples in unexpected directions
John-Paul Shiver
-
November 2, 2024
The Grateful Dead bassist leaves a spry legacy of unconventional technique, heard in these recent acts.
Movies
Screen Grabs: Soviet hard labor camps couldn’t stanch this brilliant director’s vision
Dennis Harvey
-
October 31, 2024
Sergei Parajanov's work seems more vital than ever. Plus: 'Wandering Paths' walks around France, 'Don't Move' thrills, more new movies
Art
SF’s Goethe-Institut makes a big move—and asks even bigger questions
Nicole Gluckstern
-
October 31, 2024
German cultural powerhouse's new art/tech show queries: 'Can technology enable artists to create an equitable society?'
Nightlife
SF rave doc ‘Between the Beats’ finally hits the streets
Tamara Palmer
-
October 24, 2024
Martin O’Brien’s long-awaited treasury of early '90s memories is a Venn diagram of Bay Area party culture.
Onstage
Quiet, please: Mummenschanz is still miming magic 50 years on
Nicole Gluckstern
-
October 22, 2024
'It’s poetic, it’s playful, it’s interactive' says founder Floriana Frassetto of troupe's iconic human slinkys and toilet paper faces.
Music
Sholeh Asgary’s metamorphic ‘آبـان (Aban)’ slips from the haze of dreams
Daniel Bromfield
-
October 21, 2024
The Oakland installation artist's engrossing first album is full of insects, sirens, santur, and ghostly flickers of her voice.
Homelessness
‘Where Do We Go’ launches new campaign against homeless sweeps
Tiny
-
October 20, 2024
Organizers vow to set up new encampments in public spaces every time cities evict the unhoused.
Art
Fan Warren’s weighty works evoke the Black Madonna in all her glory
Mary Corbin
-
October 17, 2024
Oakland artist pulls from folk art, her ancestors' journey, and our need for maternal love in times of strife.
Stage Review
MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh
Charles Lewis III
-
October 17, 2024
In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.
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