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Monday, March 10, 2025

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Tagged with: COVID

Movies

Screen Grabs: A golden rep house reopens, and golden oldies pour forth

Dennis Harvey -
Plus: Thor's latest hammering, a 'Poser' on the Columbus indie scene, and a Leonard Cohen-copia
Stage Review

The real world vs. ‘The Real Sappho’

Charles Lewis III -
Forced online as Cutting Ball valiantly grapples with the pandemic, Aimee Suzara's new play deserves a full production
Onstage

At 21, Fresh Meat Fest still brings fabulous new queer/trans art to the (virtual) stage

Marke B. -
Need a rainbow reboot? Tune into more than 40 artists covering a full spectrum of LGBTQ+ expression
Music

Oakland Weekender readies 3 nights of Bay indie-pop community feels

John-Paul Shiver -
Coming to Oakland's Golden Bull, 'a magnetic scene of like-minded artists who instead of being competitive, are supportive and encouraging.'
Opinion

Pride isn’t a safe space with London Breed and the SFPD

Charles Lewis III -
My hometown celebration now feels dangerous to me, with a cop-loving mayor who disregards her own COVID protocols
Art

Oakland’s Heidi Brueckner turns COVID detritus into quirky, assertive art

Mary Corbin -
Oil paints were joined by banned paper bags and bubble-wrap-filled mailers in the creative's pandemic dark days
Music

Monophonics’ retro-soul ‘Sage Motel’ just won’t let you check out

John-Paul Shiver -
The Bay-based band has been making deep, cinematic jams for more than a decade. Its latest album smelts a new alchemy.
Stage Review

‘The Paper Dreams of Harry Chin’ crackles with an immigrant’s experience

Charles Lewis III -
Jessica Huang’s new play at SF Playhouse tells a heavy family tale, laced with comedy and the supernatural.
Stage Review

Desiree Rogers shines in eerily prescient ‘A Small Fire’

Charles Lewis III -
At Shotgun, a matriarch and CEO suddenly loses her senses to a mysterious illness, in a 2012 play that echoes today
Stage Review

In ‘Encore’ at NCTC, the song remains the same

Charles Lewis III -
A flip though the company's musical numbers of the past two years should be a romp, but needs context and energy
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