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Tagged with: Hate

Art Review

Turbulence of recent past thrums though ‘Makeshift Memorials, Small Revolutions’

Charles Lewis III -
KADIST show takes on poignant personal effects of racism, fentanyl, queerphobia—but leaves out pandemic elephant in the room
Campaign Trail

Progressive unity rally seeks to get out the vote

Tim Redmond -
Large turnout as candidates push the narrative that a handful of billionaires are trying to take over the city.
Music

Sholeh Asgary’s metamorphic ‘آبـان (Aban)’ slips from the haze of dreams

Daniel Bromfield -
The Oakland installation artist's engrossing first album is full of insects, sirens, santur, and ghostly flickers of her voice.
Homelessness

‘Where Do We Go’ launches new campaign against homeless sweeps

Tiny -
Organizers vow to set up new encampments in public spaces every time cities evict the unhoused.
Stage Review

MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh

Charles Lewis III -
In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.
Music

Back after three decades (and going viral), Heavenly still scales twee heights

Leah Isobel -
With 1993's 'P.U.N.K. Girl' all over TikTok, the recently reunited UK indie-pop band shares West Coast memories and future plans.
Stage Review

Rapping out historical trauma across the Rio Grande in ‘Mexodus’

Charles Lewis III -
Little-known history of enslaved people escaping to Mexico is brought to exhilarating musical life at Berkeley Rep.
Stage Review

Latine update of Coward’s ‘Private Lives’ added layers to 100-year-old toxic tale

Charles Lewis III -
At ACT, director K.J. Sanchez's race-bent casting discovered new depths in the marriage-is-hell comedy.
Music

Don Was revs up Motor City sounds with Pan-Detroit Ensemble

Joshua Rotter -
Legendary producer, Blue Note jazz label head, and musical mind behind Was (Not Was) brings 'positive' new band to SF.
Best of the Bay

Best of the Bay 2024 Editor’s Pick: Sean Dorsey Dance Company

Marke B. -
Led by Dorsey's ever-expansive vision for trans-queer liberation, the 20-year-old company invites everyone to see themselves on stage.
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