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Tuesday, November 26, 2024

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Arts + CulturePerformance

Performance

Onstage

Building new plays at Berkeley Rep, from the Ground Floor up

Emily Wilson -
An innovative program helps artists and writers develop ideas for the stage—and you can apply.
Onstage

Review: SF Playhouse gallops toward big themes in ‘The Great Khan’

Charles Lewis III -
Some spot-on dialogue, dedicated performances, and a solid premise—but Michael Gene Sullivan's play is trying to do too much.
Onstage

Review: ‘The Claim’ captures the hurricane of immigration red tape

Charles Lewis III -
Shotgun Players return with a rapid-fire examination of the limits of bureaucratic and romantic language.
Onstage

Review: In ‘Interlude,’ swept back to Kansas by COVID

Charles Lewis III -
Harrison David Rivers' intriguing play explores the frustrations of sheltering in place in your parents' home—especially when you're gay and Black.
Dance

Dance festival honors 5700 indigenous people once buried in Dolores Park

Rita Felciano -
FLACC's outdoor Latinx and Indigenous performances in 'sii agua sí: Remembering the Waterways in Yelamu' activate the forgotten
Onstage

‘Jesus Christ Superstar’ resurrects big show season, but lacks divine camp

Dennis Harvey -
Andrew Lloyd Webber's 50-year-old musical needs to lean into the cheese to work; here it barely rises again
Onstage

‘Dear San Francisco’: breath-taking style with little City substance

Charles Lewis III -
‘Beach Blanket Babylon’ successor is an exhilarating 'high-flying love story'—but of what, exactly?
Art

Día de los San Franciscanos: Altars return to SOMArts

Caitlin Donohue -
Beloved performer Per Sia speaks about hosting a Muertos drag show at the yearly exhibition—and what a queen brings to celebrations of resilience.
Onstage

Review: In tackling white patriarchy, ‘The Dope Elf’ erodes life-fiction boundaries

Genevieve Quick -
Asher Hartman's experimental theater work at The Lab used planned messiness to provoke questions about the nature of the stage
Dance

An epic return to dance with Christy Funsch’s 12-hour ‘EPOCH’

Rita Felciano -
The "devotional" choreographer looks back at 20-years of quiet yet intense work for a daylong dance immersion.

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