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Thursday, January 30, 2025

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Tagged with: Art

Screen Grabs: Another vital public film program axed—for what?

SFMOMA's hatchet job. Plus reviews of Blood Red Sky, Old, Charlatan, Mandibles, more

SFMTA won’t ban Google buses from Geary transit lanes

Staff actually talks about 'super carpool lanes' giving private operators the right to interfere with Muni operations.

Review: Joyous ‘Next to You’ at McEvoy Foundation welcomes viewers back

Fun photographs from the collection, juxtaposed with colorful abstract works that play like musical phrases.

‘I don’t like rules’: Eddie Colla’s bold statements leap off walls

The East Oakland painter on Leo Sayer, the importance of flossing, and the power of art to challenge the world.

Remembering Phatima Rude, fearless legend of SF’s nightlife scene

Magical, complex, transcendent: Our patron goddess of wild performance has moved on. Here's where to pay respects

Out of the Crate: Oakland punk on orange cassette, more tasty scores

Taped-up Neutrals, plus new vinyl coming from Sonny & the Sunsets and Sharon Jones, can't-miss Country Funk, more

What’s going on with Muni? Supes want some clear answers

Plus: Can private buses use the transit lanes on Geary -- and does the city need any more giant mansions? That's The Agenda for July 19-16

And yet we signed: Behind the letter to the president of Nicaragua

Hundreds who spent the 1980s doing Sandinista solidarity work are now condemning Daniel Ortega's new wave of political repression. Here's why.

This Bay sculptor is grateful for lessons that clay has taught her

Symbolist artist Sara Lisch has stories to tell. In this interview, she spins a few.

In “Altered States” exhibition, artists play with the illegible

Kandis Williams' sculpture of a monstera plant, intervened with images of Frederick and Helen Pitts Douglass, leads the way.