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Sunday, November 24, 2024

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Tagged with: COVID

Music

The The’s Matt Johnson guides us through searing new album ‘Ensoulment’

Joshua Rotter -
Channeling William Blake in dystopian times, recovering his voice after risky surgery—plus a very tender SF piercing tale.
Art Review

Turbulence of recent past thrums though ‘Makeshift Memorials, Small Revolutions’

Charles Lewis III -
KADIST show takes on poignant personal effects of racism, fentanyl, queerphobia—but leaves out pandemic elephant in the room
Art

Luke Kraman’s soft missives from the queer demimonde

Marke B. -
Documenting the underground, the photographer locates a 'queer liminal zone' in present/dreaming, warm/cold contrasts.
Art

Stunning 1970s SF Halloween photos rise from the dead

Marke B. -
Ken Werner shot Castro and Polk Street celebrations from 1976-1980; now his rare cult book has been republished.
Movies

Ficks’ Picks: What we saw at the New York Film Festival

Jesse Hawthorne Ficks -
Working class Malayali romance, rebellious Russian youth, Sean Baker's wild 'Anora,' Adrien Brody's triumph + 6 more gems
Movies

Trapped with Cate Blanchett and the G7 on a zombie island? Must be ‘Rumours’

Pam Grady -
Directors Guy Maddin and Evan and Galen Johnson on world leaders, man buns, polycrises, and their gloriously weird new movie
Stage Review

AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’

Charles Lewis III -
In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.
Movies

Screen Grabs: ‘Woman of the Hour’ is one of the best of the year

Dennis Harvey -
Anna Kendrick's directorial debut chills. Plus: Legal thrills in 'The Goldman Case,' tragic 'Nurse Unseen,' more new movies
Stage Review

A terrific tour through Transatlantic African dance in ‘Raíces et Résistance’

Charles Lewis III -
Co-creators Susana Arenas Pedroso and Bongo Sidibe fill Dance Mission with eye-popping costumes and energetic moves.
Art

A South African photographer captures colorful Tenderloin souls

Emily Wilson -
Pieter Hugo dropped everything to wander the neighborhood for months, documenting the pathos and playfulness of its denizens.
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