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Monday, December 9, 2024

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Tagged with: COVID

The The’s Matt Johnson guides us through searing new album ‘Ensoulment’

Channeling William Blake in dystopian times, recovering his voice after risky surgery—plus a very tender SF piercing tale.

Turbulence of recent past thrums though ‘Makeshift Memorials, Small Revolutions’

KADIST show takes on poignant personal effects of racism, fentanyl, queerphobia—but leaves out pandemic elephant in the room

Luke Kraman’s soft missives from the queer demimonde

Documenting the underground, the photographer locates a 'queer liminal zone' in present/dreaming, warm/cold contrasts.

Stunning 1970s SF Halloween photos rise from the dead

Ken Werner shot Castro and Polk Street celebrations from 1976-1980; now his rare cult book has been republished.

Ficks’ Picks: What we saw at the New York Film Festival

Working class Malayali romance, rebellious Russian youth, Sean Baker's wild 'Anora,' Adrien Brody's triumph + 6 more gems

Trapped with Cate Blanchett and the G7 on a zombie island? Must be ‘Rumours’

Directors Guy Maddin and Evan and Galen Johnson on world leaders, man buns, polycrises, and their gloriously weird new movie

AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’

In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.

Screen Grabs: ‘Woman of the Hour’ is one of the best of the year

Anna Kendrick's directorial debut chills. Plus: Legal thrills in 'The Goldman Case,' tragic 'Nurse Unseen,' more new movies

A terrific tour through Transatlantic African dance in ‘Raíces et Résistance’

Co-creators Susana Arenas Pedroso and Bongo Sidibe fill Dance Mission with eye-popping costumes and energetic moves.

A South African photographer captures colorful Tenderloin souls

Pieter Hugo dropped everything to wander the neighborhood for months, documenting the pathos and playfulness of its denizens.