Thursday, May 2, 2024

Tagged with: Crime

Labor

Biden, despite promises, has still issued no COVID standards for workplaces

Marc Norton -
The pandemic is not over -- but workers still have no federal protections.
Police

Mayor Breed’s budget doesn’t even remotely defund the police

Tim Redmond -
Proposal heard in budget committee calls for major increases to SFPD -- even when the city is investing in alternatives to armed law enforcement.
Screen Grabs

Screen Grabs: Black Film Festival lifts off—and other stratospheric releases

Dennis Harvey -
The best of the new, from the surveilling of surveillance in 'All Light, Everywhere' to 'Les Norte' and its discomfiting coming-of-age twists
News + Politics

Should the Castro be filled with a tech mogul’s surveillance cameras?

Tim Redmond -
A sort-of, kind-of private organization that does neighborhood improvements in the Castro is meeting next week to decide whether to move forward with a...
News + Politics

DA closes Amilcar Lopez case, but the community trauma still remains

Father Richard Smith -
San Francisco needs to make big changes in policing so this young immigrant didn't die in vain.
Screen Grabs

Screen Grabs: Two taut Aussie thrillers that do the trick

Dennis Harvey -
The Dry and Higher Ground excite. Plus: a heartwarming Welsh horse, a Drunk Bus, and a Romanian comedy(!)
News + Politics

Judge rejects plan to ban people with drug arrests from the Tenderloin

Tim Redmond -
Why are we still fighting the failed War on Drugs in 2021?
Music

Out of the Crate: 4 vinyl gems, from Black jazz history to fresh R&B cuts

John-Paul Shiver -
Vespre's much-needed banger, DJ Amir's stellar compendium of Strata Records hits, Black Crowes revisited, more
Education

The future of City College is on the line — and it’s going to be up to us

Tim Redmond -
For now, local funding is the only way to prevent the devastation of one of SF's most important institutions.
Art

Review: In ‘Uncanny Valley,’ disturbing ripples from artificial intelligence

Genevieve Quick -
Excellent De Young show reveals technology's ties to oppressive tactics—and art's to the arms trade
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