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Friday, November 22, 2024

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Tagged with: Opera

Movies

Screen Grabs: You’re cordially invited to an HOA meeting from hell

Dennis Harvey -
Plus: Hilary Swank is 'The Good Mother' and 'Goldfish' pulls off a big, messy portrait of dementia
City Hall

Lies, damn lies, and the new ‘report’ on San Francisco government

Calvin Welch -
Ignore the realities of SF politics. Ignore a wide-ranging corruption scandal. Just go after district elections. That's what the Rose Institute, funded by Michael Moritz, is doing.
Lit

Shipwrecks and scurvy: ‘The Wager’ reveals human frailty beneath European colonialism

Lou Fancher -
Novelist David Grann's tale of 18th-century maritime disaster adds to his record of relentless truth-telling, rats and all
Culture

Arts.Co.Lab is ready to dismantle the ‘rigged’ arts funding paradigm

Brandy Collins -
Local cultural equity agency aims to equip BIPOC artists with tools for a sustainable practice and dignified life
Movies

Screen Grabs: Two tough films focus on the people hit hard by economic inequality

Dennis Harvey -
Great examinations of working class erosion ('Between Two Worlds') and family opioid addiction ('Stay Awake')
Music

Seeing Ghost, and the importance of embracing Satan amid fabricated panics

Danny Acosta -
In the age of QANON and hysterical anti-LGBTQ backlash, one rock band embodies a hellishly fantastic alternative.
Movies

Bringing sexy back? Ira Sachs on his steamy, unrated new ‘Passages’

Pam Grady -
"We consider Hollywood this kind of liberal mecca but there's censorship involved," says the filmmaker
Movies

A musician risks it all to lead Ugandan opposition in ‘Bobi Wine’

Pam Grady -
Filmmakers Christopher Sharp and Moses Bwayo followed the presidential hopeful despite threats, jail, and shooting
Movies

Screen Grabs: Can’t we all just grow up a little?

Dennis Harvey -
Young people in crisis in 'Amanda,' 'Afire,' 'War Pony,' and, of course, 'Dude Bro Massacre III'
Stage Review

SF Opera’s ‘Frida y Diego’ was a bold step into another world

Charles Lewis III -
The company's first main-stage work by a woman composer and first in Spanish made the real world seem magical
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