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Thursday, November 21, 2024
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48 hills
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San Francisco Chronicle
Movies
The case for ‘So I Married an Axe Murderer’ as the best SF film of all time
Adrian Spinelli
-
October 31, 2023
North Beach cappuccinos, Alamo Square breakups, Fog City Diner, pre-tech rents—the 1993 Mike Myers film deserves the crown.
Development
Lots of housing laws. Not much housing
Zelda Bronstein
-
August 1, 2023
Hearing, data show how the state's 'streamlining' supply-side approach is failing.
Lit
In endless US wars, some people matter, and some people don’t
Tim Redmond
-
July 12, 2023
Author Norman Solomon talks about the human toll of the military machine—and why we so rarely hear about it.
Lit
Lasting lit: The enduring issues of ZYZZYVA
Lou Fancher
-
May 22, 2023
How does a 1985-born lit journal live on? Editors spill its secrets.
Housing
UCLA’s secretive neoliberal housing conference
Zelda Bronstein
-
March 23, 2023
It's worse than Davos: A one-sided policy event with no dissenters—and no reporters unless they sign gag orders.
Food & Drink
Good Taste: Why 2023 is looking so tasty
Tamara Palmer
-
January 3, 2023
Promising restaurant openings, psychoactive edibles, and landmark shake-ups that may take effect this year
The Agenda
Police racism, police violence, a hiatus on the Amazon tax ….
Tim Redmond
-
September 4, 2022
... and gee, they are so nice in Sacramento. Guess that's why the landlord lobby keeps on winning.
News + Politics
Newsom wants emergency $1.4 billion PG&E nuclear bailout—now
Tim Redmond
-
August 29, 2022
Fast-track bill would override state regulation and give criminal utility taxpayer money for a plant that isn't safe—and he wants a vote this week.
Lit
Lessons from a fearful fido: Meredith May’s ‘Loving Edie’
Lou Fancher
-
June 14, 2022
It may be packaged as a dive into doggy world, but the Bay Area author's second book is all about accepting limits.
Arts + Culture
‘It was more than rock ‘n roll’: Ben Fong-Torres on SF’s music heyday and ‘Like a Rolling Stone’
Joshua Rotter
-
May 17, 2022
A new doc spotlights the iconic rock journalist's experience with legends—and being an Asian American reporter in the '60s and '70s
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