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Thursday, September 18, 2025

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Tagged with: Stage

Music Review

Noise Pop report: Seablite grabbed center stage at the Chapel with hypnogogic glee

John-Paul Shiver -
Full of psychedelic alt-'90s energy, the locals perfectly complemented headliner Laetitia Sadier and Broun Fellinis' sax.
Music

André 3000, Suzanne Ciani, and the evolving creative mind

Adrian Spinelli -
What happens when an artist swerves? How does a trailblazer stay relevant after 40 years? Two shows raised satisfying answers.
Onstage

Playwright Ashley Smiley takes on neighborhood diplacement and Tesla-stamped MDMA

Emily Wilson -
Her 'Dirty White Teslas Make Me Sad' at Magic Theatre is a personal take on gentrification and the city's loss.
Music Review

‘It’s a celebration’: Madonna pulled out all stops on tour through decades of hits

Jon Bauer and Patty Riek -
Firing up Chase Center for a two-night extravaganza, pop's iconic provocateur provided plenty of nostalgia.
Stage Review

‘Swan Lake,’ again? SF Ballet’s latest dip into classic justifies return

Charles Lewis III -
The company has performed the piece three times in four years, but stunning leads and ensemble work keep it fresh
Music

Live Shots: The Beaches’ post-breakup pop-rock triumph thrills the Fillmore

D.A. Mission -
Powered by a breakout sophomore album, longtime Toronto indie darlings were on their victory lap.
Dance

Desperate times call for ‘Anna Karenina’

Lou Fancher -
Joffrey Ballet's triumphant return to Cal Performances revives a literary tale that centers love after loss.
Music Review

André 3000 spoke another language at Bimbo’s

Tamara Palmer -
In the first of five local shows, the Outkast star improvised with friends, babbled glossolalia, and warned that the audience was being sampled.
Art Review

In tamara suarez porras’ ‘parallax errors,’ fractured apparitions of changing perception

Ava Morton -
Masterful photographic prints at CIIS provide glimpses into momentous changes in the artist's life.
Stage Review

Pina Bausch’s ‘Rite of Spring’ matched tempestuous weather with fierce intensity

Lou Fancher -
Dancers from 14 African countries—and a piece by legends Acogny and Airaudo—filled Zellerbach with light and heat.
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