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Monday, March 18, 2024

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Tagged with: Violence

Finally, Native American land returned to Native Americans in Berkeley

At the ancient Berkeley shellmound, the Lisjan people get back their sacred land.

Screen Grabs: The revelatory, overwhelming, and a little scary world of Luther Price

Tributes to a couple recently deceased filmmakers of note and a selection of newish Mexican cinema are highlights this week from two among the...

Screen Grabs: Pumping up the heat (and lycra) in ‘Love Lies Bleeding’

Plus: Kitchen sink queer drama in 'Silver Haze,' friendship on the border in 'The Breaking Ice,' more movies

Indie booksellers in trouble? BincTank to the rescue

A program that grew out of Borders now helps BIPOC-owned bookstores stay open and thrive through its grants.

Screen Grabs: A couple of powerful mothers

'Shayda' portrays life in a women's shelter for Iranian mother and child, 'Cabrini' highlights a nun on a mission.

Why immigrants are worried about SF’s Proposition E

The measure would undermine the Sanctuary City policies.

Screen Grabs: War is Hell—and then, onscreen

'The Fatal Alliance: A Century of War on Film' comes to BAMPFA. Plus: 'The Troubles' puts Irish resistance in personal light

While they helped win WWII, Hunters Point Shipyard’s Black workers fought discrimination at home

Stacey Carter talk focused on valiant history of resistance and neglect leading to Board of Supervisors' apology.

Playwright Ashley Smiley takes on neighborhood diplacement and Tesla-stamped MDMA

Her 'Dirty White Teslas Make Me Sad' at Magic Theatre is a personal take on gentrification and the city's loss.

Screen Grabs: Two strong films make global immigration personal

'Io Capitano' and 'The Legionnaire' spur empathy. Plus: Gay rarity 'Drifter,' potent noir 'The Road to Shame,' more