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Sunday, November 24, 2024

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Arts + CulturePerformance

Performance

Dance

Robert Moses’ ‘New Legacies’ takes on the specter of censorship

Mary Carbonara -
'There’s a body to culture and we’re cutting off the legs and arms,' says choreographer about latest innovative work.
Stage Review

Eviction breeds guerrillas as the people fight back in ‘Dirty White Teslas Make Me Sad’

Charles Lewis III -
Ashley Smiley's world premiere at Magic Theatre presses hot button issues through the lives of Black San Franciscans.
Onstage

The Algorithm speaks! BD Wong on the power of ‘Big Data’

Emily Wilson -
'I love manipulating the molecules in the air and changing the tone of the moment,' actor says of A.C.T. role
Onstage

Playwright Ashley Smiley takes on neighborhood diplacement and Tesla-stamped MDMA

Emily Wilson -
Her 'Dirty White Teslas Make Me Sad' at Magic Theatre is a personal take on gentrification and the city's loss.
Stage Review

‘Swan Lake,’ again? SF Ballet’s latest dip into classic justifies return

Charles Lewis III -
The company has performed the piece three times in four years, but stunning leads and ensemble work keep it fresh
Dance

Desperate times call for ‘Anna Karenina’

Lou Fancher -
Joffrey Ballet's triumphant return to Cal Performances revives a literary tale that centers love after loss.
Onstage

From ‘Drag Race’ to Madonna tour, Bob the Drag Queen rules the world

Joshua Rotter -
'San Francisco is incredibly fun, incredibly queer, and so open,' says superstar emcee of 'Celebration Tour.'
Stage Review

Pina Bausch’s ‘Rite of Spring’ matched tempestuous weather with fierce intensity

Lou Fancher -
Dancers from 14 African countries—and a piece by legends Acogny and Airaudo—filled Zellerbach with light and heat.
Stage Review

Killing My Lobster sketches a decade of laughs, coked-up Spiderman and all

Charles Lewis III -
In 'Best of KML,' the venerable comedy troupe revisits some greatest hits—just don't toss that baby out the window.
Performance

Theatrical spectacularist Taylor Mac: ‘The solution to straight pain is queer joy’

Marke B. -
The gonzo performance artist's 'Bark of Millions' is an ecstatic four-hour, 55-song reverse-conversion therapy session.

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