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Sunday, November 24, 2024

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Arts + CulturePerformance

Performance

Stage Review

Guess what, kids! Your family is a ‘Cult of Love’

Charles Lewis III -
Leslye Headland's new play at Berkeley Rep delves into the multifarious dysfunctions of a Jesus freak clan.
Stage Review

At SF Ballet, two very different sides of ‘British Icons’

Charles Lewis III -
Notoriously difficult, dissimilar pieces by Kenneth MacMillan and Frederick Ashton showed the company's versatility
Stage Review

It’s AI versus a good bowl of pho in ‘My Home on the Moon’

Charles Lewis III -
Minna Lee's Asian-focused queer sci-fi love story at SF Playhouse plumbs all-too-human depths of the uncanny valley.
Comedy

How to tell a joke in Palestine: Arab American Comedy Fest brings essential connection

Marke B. -
Co-founders Maysoon Zayid and Dean Obeidallah talk about 20 years of using laughs to transcend hatred.
Arts Forecast

Arts Forecast: ‘The Wiz’ whisks us right down that Yellow Brick Road

Marke B. -
Plus: Danny Glover, Kafana Balkan, Valentine's Gay, Tongues Untied, parallax errors, Bob Dylan Center, more great things to do
Opinion

COVID safety is a progressive responsibility

Charles Lewis III -
Government, media, institutions no longer work to protect us; we need to keep raising our voices and taking action.
Stage Review

‘Babes in Ho-lland’: Black lesbians deserve cute rom-coms, too

Charles Lewis III -
Unexpected love in the college dorm brings up memories of '90s sitcoms in Shotgun Players' latest.
Stage Review

‘Mere Mortals’ drowns its provocative beauty in noise and lights

Charles Lewis III -
SF Ballet takes on the promise/threat of Artificial Intelligence, but the digital onslaught is all too much.
Stage Review

Don’t mind the AI, ‘Mere Mortals’ is a human triumph

Marke B. -
SF Ballet's techno take on the Pandora's box of Artificial Intelligence feels like something completely new
Nightlife

Live Shots: 23rd Edwardian Ball was a sensory feast

Jon Bauer and Patty Riek -
Mystery, magic, daring feats, and great looks came to the Regency Ballroom on January 27.

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