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Sunday, November 24, 2024

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Arts + CulturePerformance

Performance

Stage Review

‘Il Trovatore’ offers vengeful bloodlust, mystic kidnappers, and a sprint to the finish

Charles Lewis III -
SF Opera's new production of Verdi's overstuffed, time-jumping, ethnically problematic opera goes for the entertainment factor
Dance

‘Invoking the River’ calls upon spirit of the Ganges with grace and athleticism

Mary Carbonara -
Feminine, masculine energies weave through Chitresh Das Dance's new production—not to mention the taranas on steroids
Stage Review

Boxing with parenthood and prejudice, plus puppet, in ‘Wolf Play’

Charles Lewis III -
In a perfect world, the ability to choose one’s own family would be on par with the acknowledgement of your biological kin. The excuse...
Onstage

Seeking out ‘Mission Rebel No. 1’—and a father’s story

Marke B. -
Rev Jesse James founded the historic Mission Rebels in the 1960s. David James relates his life through music onstage
Stage Review

Taylor Mac’s audacious ‘Gary’ adds excess to a Shakespeare gore-fest

Charles Lewis III -
A sequel to 'Titus Andronicus'? You better go big, and Oakland Theater Project makes a valiant effort with minimal means.
Dance

The Town blooms in Misty Copeland and Leyla Fayyaz’s dance film ‘Flower’

Emily Wilson -
Produced by Nelson George, the short feature celebrates organized resistance in the face of community displacement.
Stage Review

Speculative Shakespeare, and a cocky Kit Marlowe, in Aurora’s ‘Born with Teeth’

Charles Lewis III -
Two giants of literature bicker literately in Liz Duffy Adams' entertainingly tinfoil-hat take on the Bard
Music

The joy (and tech) of Old St. Mary’s free Noontime Concerts

Marke B. -
35 years of Tuesday lunchtime tranquillity, expanding the definition of "classical" and juiced with state-of-the-art streaming
Dance

In ‘Nursing These Wounds,’ dancing a precarious Pilipinx immigrant experience

Mary Carbonara -
Colonization and exploitation collide with caregiving and ancient ceremony in Alleluia Panis' latest at ODC.
Stage Review

Despite funky promise, ‘Hippest Trip’ plays like Black history written by ChatGPT

Charles Lewis III -
'Soul Train' tribute at ACT jumps the rails when it comes to representation, power, and even music

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