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Sunday, January 12, 2025

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Arts + CulturePerformance

Performance

Onstage

Donna Sachet and a pizza with everything: ‘Sunday’s a Drag’ returns, fabulously

Joshua Rotter -
With a new venue (Club Fugazi), new food, and a slate of seasoned performers, the musical drag brunch hits the spot
Arts Forecast

Arts Forecast: Raise your tankards high for Drunk Theatre

Marke B. -
Plus: Bay Area Gallery Weekend, SF Drag King Contest, Wolf Eyes, seaweed foraging, Wata Igarashi, more to do
Art

Of I and thou: Choreographer Alyssa Mitchel scales new collaborative heights

Mary Jane Agnew -
For "Regard" in the CJM's Yud, the artist plots a piece about human complexity, alongside a muralist and musicians
Dance

In ‘As We Go,’ Joe Goode Performance Group dances into the beauty of life’s end

Mary Carbonara -
The choreographer continues to put 'an emphasis on the unglamorized body, when it is fallible or agitated or inept'
Stage Review

With ‘A Chorus Line,’ SF Playhouse aims for that singular sensation

Charles Lewis III -
The still-timely 1975 musical requires a cast of triple threats—but can they hit the right steps?
Music Review

Eddie Chacon and John Carroll Kirby unleashed trippy boogie in a Fender Rhodes whorl

John-Paul Shiver -
Sought-after singer and jazz keyboardist flowed through compositions at The Chapel.
Stage Review

Mime Troupe dives into ‘doom loop’ hysteria in affecting ‘Breakdown’

Charles Lewis III -
Latest show cuts through the right-wing propaganda with heart, laughs, and plenty of colorful characters
Stage Review

‘The Dignity Circle’ is absolutely not a pyramid scheme

Charles Lewis III -
Lauren Smerkanich's world premiere from Central Works describes a devastating cycle of exploitation that's also fun to watch
Stage Review

SF Opera’s ‘Frida y Diego’ was a bold step into another world

Charles Lewis III -
The company's first main-stage work by a woman composer and first in Spanish made the real world seem magical
Stage Review

Battling an anxiety monster named Meredith in ‘Out of Character’

Charles Lewis III -
Tony-winner Ari’el Stachel's captivating solo show reveals a double-edged struggle with racism and mental health.

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